#. just remembered this actually also happened to me
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eicsferrari · 2 days ago
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never met - op81 smau
summary: people start making up rumors about oscar and yn. problem is they never actually met
face claim: random girls from pinterest
a/n: this is chaos but it was fun to write hope you like it
masterlist
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gossipf1 singer yn and oscar piastri are reported to be dating according to inside sources
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user5 please let this be true
lando rue, when did this happen?
user14 helppp what is lando doing here
user3 my two worlds colliding
user7 she's not good enough for him
user8 ?? he's not good enough for her
yn inside sources who??? i never saw this man in my life😭😭
user10 he's a formula 1 driver
yn oh i only know lewis hamilton aka the goat aka the loml
user10 fair
yn he looks cute tho👀
sabrinacarpenter no yn!
yn 😊😊
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yn posted a story
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caption: this is the man yall think i pulled? Damn thank u
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↪sabrinacarpenter you are insane😭
↪lando +61 12345678 text him
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yn jazzy nights are my favorite
♡liked by sabrinacarpenter, oscarpiastri and others
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user6 best night of my life
sabrinacarpenter i'm in love with you😍
yn me when i see you
user1 oscar liked...
user4 don't start
user1 i just stated a fact
user9 obsessed with your voice, i want you to sing me to sleep every night
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gossipf1 yn and oscar spotted hanging out after her concert
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user8 i fear this couple would be too iconic
user4 just... no
user5 i dont know this man my ass
yn in my defense i really haven't met him then!
lando it's true i can confirm
lando i can also confirm yn was oscar's most listened artist last year
oscarpiastri why are you here?
lando gossip is my bat signal
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yn trip made it out of the groupchat
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lando groupchat and it's only two people
yn get off my comments
lando i got you his number and this is how you repay me?
user9 lando tell us who it is🙏🏼
user3 if lando set them up it has to be oscar
user7 i'm in love with her aesthetic
user5 white shirt=oscar
user14 stop we don't know
sabrinacarpenter did my invite get lost in the mail?🤨
yn babe i'm sorry he means nothing you are the love of my life
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oscarpiastri posted a story
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caption good company yn
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↪user4 gossipf1 ended up setting you two up huh
↪sabrinacarpenter i remember when i was the one taking her pictures...💔
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yn sorry osc i go where lewis goes🏎️
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oscarpiastri 😐
user4 osc🥺🥺
scuderiaferrari everyone is a ferrari fan ♡liked by author
francocolapinto hamilton fan first, a girlfriend second. i respect that
user5 did he just confirm that they are girlfriend and boyfriend?
mclaren 💔
yn sorry😔
charles_leclerc i approve son oscarpiastri
yn forza ferrari!
user26 we lost her to a sports guy...
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oscarpiastri posted a story
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caption prettiest girl is in fact my girlfriend
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↪yn giggling blushing throwing up kicking my feet🥺🫶🏼
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yn posted a story
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caption he's still mad i did not wear orange
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↪lando it's papaya not orange😡
yn same fucking thing
lando it's not !!
yn ok but the word papaya is so ugly
lando YOU TAKE THAT BACK
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yn the rumors are now true, i'm his favorite artist and he's my (second) favorite driver
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user18 she's gorgeous😍 he's just there😐
francocolapinto yes yes you might kiss but did he ever say he wanted to learn your language just to understand your jokes? i don't think so
yn call me when you are his top artist on spotify loser
user12 don't mind me i'm just patiently waiting for the love songs this will inspire
oscarpiastri you are never going to let me live this down, right?
yn you are stuck with me and my bad jokes sorry bro
sabrinacarpenter just remember she was mine first papaya boy
oscarpiastri noted🫡
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oscarpiastri she finally wore papaya
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user2 she's so hot🥵
yn not that word again😭
lando i will block you if you keep hating on the papaya
yn do it i dare you
yn i look so good tho
oscarpiastri you always look amazing
yn i love me a boy who can sweet talk
lando god stop being cheesy on main🤢
yn weren't you going to block me??
lando i should have
yn just do it you coward
user23 yes yn put the car guy in his place!
lando why are you supporting her when your page is dedicated to me??? are you a fan or a hater?
user23 i'm your biggest fan! but i support women's rights and women's wrongs so i'm with yn
yn HA even your fans like me better😛
lando you stole my teammate and now my fans what else do you want from me😭😭
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lando posted a story
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caption disgusting
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↪yn disgustingly cute yes
lando whatever helps you sleep at night
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oscarpiastri posted a story
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caption dont let their online banter fool you, they are friends
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↪yn babe don't expose us like that😔
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oscarpiastri 🧡
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yn DELETE what if lewis sees this?
user21 she's so real
lewishamilton i feel betrayed
yn nooo💔😔 you will always be n1 in my heart
oscarpiastri 😐
yn deal with it
yn i am so incredibly proud of you and i love supporting you🥺🧡
oscarpiastri thank you for being here<3
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yn posted a story
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caption i'm going to tell my kids this is their dad
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yn posted a story
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caption just kidding, i love you oscar
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↪ oscarpiastri i love you more❤️
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miss-m-winks · 3 days ago
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i remember when the game of thrones show was just hitting its peak popularity, people would just pass around that one time GRRM was like "oh i write women so well because i just write them as people" and he was being lauded as this amazing feminist for it. it's so cathartic to see more people pointing out what a pretentious and incurious writer he actually is lol
like what was the point of making up a world with such a unique seasonal cycle if you're not actually going to make the rest of the story mesh with it?
what was the point of having the looming ice zombie threat while also making your people look stupid because they keep burying their dead in crypts where they're easily turned into more ice zombies? there's a line between "we need things to happen for plot reasons" and "actually this is just stupidity"
and as was pointed out earlier, the biggest reason it's so annoying to see all these inconsistent and unrealistic lore details is precisely because GRRM was so openly pretentious about how much he likes to ground his fantasy in realism. he wrote with a sort of contempt for the genre, and it shows.
like would you want to read a scifi space adventure written by someone who scoffs at the idea of sapient aliens and explosive space battles, but also writes mono-climate worlds or weirdly shaped planets and never actually makes life on those planets any different from earth? while still claiming they're writing very realistic scifi? I wouldn't.
i think it's entirely possible to write a world where there are long cycles of winter and summer. since it is fantasy, there's space for flexibility! perhaps we actually explore the religion of the world in a meaningful way and have the seasons be literally affected by deities? or maybe we look at the redundant ice zombie apocalypse and actually give it a meaningful connection to the long winters? maybe the ice zombies are the cause of the long winters??? that would sure be a logical plot arc! it makes sense! because if they're not connected like that, you're telling me the long winters will still be an apocalyptic problem even when the evil ice zombie king is defeated. so what was the point of that? it really makes the ice zombies less of a threat if defeating them only removes the problem of being killed by zombies but the winter apocalypse is still there. if they're the same problem though, hey! that's a pretty neat plot! literally not even changing anything else, that alone would fix a lot of issues.
I too am a fantasy writer (as yet unpublished) who enjoys grounding things in reality. the difference is that I am having fun exploring what "reality" means in the world I'm writing.
Someone over on Discord asked, "I'm morbidly curious: How BAD is A Song of Ice and Fire in terms of the authenticity George claims it to be?"
My reply was straightforward:
The long and the short of it is that ASOIAF is basically a vehicle for GRRM to present both his rape fetish and his Hobbesian view on human nature and has less historical accuracy than Frozen or most other Disney movies.
That's actually a good way to think of it, now that I've said it--he's Family Unfriendly, they're Family Friendly, but both have the same relationship with History: just Pure Aesthetic with no consideration for how the worldbuilding would work.
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threeacttragedy · 12 hours ago
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Entry 18: The One Where Two Roads Diverged in a Wood of GIFs and Written Words
“Lukola Crisis Hotline. How may I be of service?”
Me: Houston, we have a problem.
Dad: Do tell!
Me: You won’t believe who showed up last night! –
Dad: Oh, my goodness! Oh, my goodness! Whoa! I don’t know what to say! Wait – let me grab my Coke and my smokes. <waiting> Okay, I’m back. So, Misty appeared out of nowhere with Thang?! Well, this just got fun! <laughing>
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For clarity’s sake, my father tends to give everyone a pet name. Some of the pet names are funny; some are quite cruel. But if they help him remember who the players are in this fandom (and in any other situation), I’m game to play along. Plus, his pet names tend to add a little comedy relief to whatever is being discussed, especially when it is not an outwardly funny subject.
In Lukola-Land, Luke is “Thang” (it’s actually “Thing” – as in the hand from The Addams Family – but my dad’s accent muddles the pronunciation into “Thang”); Nicola is “Ireland,” for obvious reasons; Antonia is “Misty,” for, umm, the Clint Eastwood movie, “Play Misty for Me;” and Jake is – well, Jake is actually just “Jake” because my father finds the USS Jakola offensive. In fact, when I was discussing the recent fandom events with him on Friday evening, my dad was genuinely shocked to learn the Jakolas still existed. His pet name for the Jakolas is “Fucking Stupid,” by the way.
Moving on to the matter at hand –
There’s been so much “noise” over the past few weeks that, when taken collectively, it is rather eye-opening. We’ve got Luke’s mother posting on Facebook about “Luke’s girlfriend…from Cyprus.” The leaked funeral video and photos (by allegedly Luke’s family). The Best in Show pap pictures of Nicola and Jake. The “just friends” interview. The disappearance of Jake (because he’s rehearsing for a play) and the sudden reemergence of Antonia.
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If you’ve noticed from my recent entries on this blog, I have obviously found most of what has happened of late to be comical and not worth putting into written word. Instead, my thoughts have been dumped into GIF stories. To be honest, I was rather disappointed I couldn’t put this last part – Antonia emerging from the misty edges of the forest – entirely into a GIF story. Her reappearance was like a certain Bond villain coming back to life for the seventh time. In other words, it was total cringe. But it also altered an otherwise slow burning campfire into a motherfucking forest fire.
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Me: Thoughts?
Dad: I need some time to think about this one – and a cigarette. Or two. Call me back in 15 minutes.
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“Psychotic Fan Rescue Center, at your service.”
Me: You’re a dumbass.
Dad: <laughing> Well, this is insane. It makes no sense and it’s a convoluted mess. Why bring Misty back? She was killed off two seasons ago.
Me: No shit, Sherlock.
Dad: Hell, maybe this has all been a nest of vipers.
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A nest of vipers? Ah, yes, the idea that we have a group of venomous snakes thrown into the same close-quartered trench – in an every-man-for-himself type situation – each taking strikes at the others whenever their backs are turned.
In Entries 1, 13, and 15 – with an emphasis on “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea” – I wrote about what the Lutonia narrative could look like, if real. I will not rehash in detail those entries here, but I will link them at the end of this entry if you want to read, or reread, them.
Now, the General Audience almost certainly didn’t pay a lick of attention to Antonia when she appeared alongside Luke at the Boss event held January 30 (she’s always just been a Face in the Crowd). But the sudden reappearance of Antonia stopped the Lukolas dead in their tracks because – like my dad said – she was seemingly killed off two seasons ago.
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The Lukolas have suddenly found themselves at an intersection of confusion and, likely, a bit of distress. The long and winding road we’ve been traveling along has diverged into two paths – and, no, you cannot travel both.
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The problem with the Lutonia narrative has always been that Luke has never formally acknowledged Antonia as his girlfriend. In fact, Luke had the perfect opportunity to do so when he posted about the Boss event on his Instagram grid – but he did not. I could rationalize the idea that Luke and Antonia wanted to keep their relationship private after the Papsmear misstep if it weren’t for the fact that Antonia has been historically loud in her social media posts. We spent the summer and fall with insinuation post after insinuation post from Antonia. Yes, all those posts that alluded to her being with Luke without any actual evidence that she was, in fact, with Luke. By the time Antonia got to “Pasta-gate” in mid-November, the Lukola fandom barely even blinked before dismissing her as, well, the antagonist from “Play Misty for Me.” And this leads to something even more problematic for the USS Lutonia – Luke has never rescued Antonia from being ridiculed and torn apart by the fandom. My dad would call – and has called – Luke a cad for this.
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Jumping to the other side of this misshapen triangle, we have Nicola and her Assassin (my dad’s pet name for JVN). Assuming Lutonia is real, the only logical answer for Nicola’s behavior is that she has spent months trolling Luke, Antonia, and <gasp> the fandom. Nicola herself has admitted to being chronically online and, at a minimum, being aware of fan edits – so much so that during the London premiere she commented that she and Luke “can’t do anything” without the fandom reacting to it. Therefore, I will call “foul” on anyone who tries to persuade me that Nicola was unaware of, at a minimum, how the Lukola fandom had reacted to the Claddagh ring, Chaos Week, and the October airplane posts. JVN openly mocking Antonia on social media with, for example, their Slick Back Bun routine only added fuel to this fire.
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For shits and giggles – and so I can get to the bend in this road – we will roll with my dad’s “Nest of Vipers” theory for a moment. We will concede that Lutonia is real, which, in my opinion, makes Luke the absolute worst boyfriend in London and Antonia a woman who doesn’t mind being treated like roadkill. It also, unfortunately, makes Nicola and Fan Favorite JVN come off like online bullies – with the only plausible reasoning for the bullying being that Luke and Nicola are at odds with each other. No, I take that back – they’re not at odds with each other – they’re seemingly at war with each other. I’ll even amp this up a bit and throw in the suggestion that, assuming Lutonia is real, Netflix & Co. is aware of the strife between its two Polin actors and are protecting their asset with blurred Polin-Lukola posts to pacify the fandom. Dun-Dun-DUNN! And yes! That was a sly nod to Jake.
Me: Thanks for that. You just made Luke into an absolute prick and gave Antonia’s starring role in “Play Misty for Me” to Nicola.
Dad: Hey, I’m not the one who dug up Misty! That was all Thang!
Me: Then why does everyone say Luke is the nicest person? Nicola, his co-stars –  
Dad: All lies.
Me: Would you STOP?!
Dad: But I’m serious! Thang could be a complete pig behind closed doors and Ireland could be on the verge of a psychotic meltdown because, uhh, maybe she’s obsessed with Thang and pissed he chose Misty.
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The unfortunate thing about this Nest of Vipers theory is that I could almost certainly make a convincing argument that it was legit. I’ve always joked with my Inner Circle of Lukolas that no one wants to see me go rogue, especially not – I’ll bite my tongue on that one. But I will emphasize the importance of keeping an open mind when you’re reviewing information. Always consider both sides of the coin. That said, it’s hard to ignore the evidence that was presented to us through the World Tour interviews and behind-the-scenes footage; therefore –
Me: I’m having a hard time believing Luke is someone who wouldn’t protect his girlfriend. He seems to support Nicola online quite a bit. Why wouldn’t he do the same for Antonia?
Dad: <laughing> Fine. Antonia isn’t his girlfriend. Maybe it’s all just a bunch of fuckery like I’ve always said.
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“Fuckery” is my dad’s pet name for PR bullshit. If you didn’t pick up on it in previous entries, I am not fond of PR theories. But I also cannot ignore that PR relationships do exist and have for decades (hell, we could go back centuries and find examples of PR relationships across multiple noble and royal families – think about that, naysayers). It was my dad who first sold me on the possibility of Antonia being PR. So, I will consider this road to PR-ville in the same manner as I did the Nest of Vipers theory – with this PR theory having perhaps the better claim.
I mentioned earlier that the General Audience almost certainly paid little attention to Antonia’s existence at the Boss event. Although some people may find what I’m about to say a bit unkind, it doesn’t make it any less valid (and I’m not saying it to be cruel): Antonia, in the overall scheme of things, is of very little importance to the General Audience. She has less than 15 thousand followers on Instagram, even after being connected to a man who has almost three million. However, oddly enough, that didn’t prevent the Daily Mail from dropping a story which predominantly focused on Antonia within the same timeframe that images from the Boss event were being dropped on the Internet. It also didn’t prevent video footage of Luke and Antonia at the Boss event from being leaked online almost immediately – even when there were undoubtedly more famous celebrities attending the event. I’ll be realistic with this next comment, too: Luke may be relevant to the Bridgerton fandom, but that does not mean he is significant to, say, People Magazine’s average reader. So, why the sudden burst of publicity at this event?
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I waited to write this entry to see what Luke did with the exposure from the Boss event. Would he finally put Antonia on his Instagram grid? Would he put her in his Instagram stories? Would Antonia post pictures from the event on her Instagram grid or stories? Would Luke unambiguously acknowledge a relationship with Antonia?
Although Luke posted to his Instagram grid and stories about the event, he did not include Antonia – at least not directly. The closest he came to including Antonia was via an Instagram story – on which he did not tag her – of a black screen with a link to a Boss TikTok that included images of Luke and Antonia from the event. The TikTok did not tag Antonia either. Luke did not post Antonia’s image to his grid or his stories.
And Antonia didn’t post about the event at all.
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I wasn’t sold on a PR narrative when I started writing this entry, but my eyebrows raised when I saw Luke’s “black screen” Instagram story. This was either Luke attempting to circumvent the Lutonia narrative while throwing Antonia a bone, or it was Luke being an absolute douche of a human being. And, if it’s the latter, Mr. Newton needs to check himself into Assholes Anonymous.
I will concede that a couple of mutuals put up a few stories about the event (which disappeared after 24 hours) and Boss included (and tagged) Luke and Antonia in an Instagram and TikTok reel – without formally identifying Antonia as Luke’s girlfriend. On a side note, Luke could have reposted either of these reels – which tagged Antonia – but he did not. Luke also did not like this Boss Instagram reel with Antonia in it (and he does not have a public TikTok account), but Luke did like a separate Boss post of him and David Beckham (without Antonia). The only news outlets that called Antonia Luke’s “girlfriend” were rag-mags like the Daily Mail and Hello, both of which put an emphasis on Antonia. Digital Spy noted that Luke and Antonia “have yet to officially confirm their relationship.” So outside of some tagged reels (that weren’t reposted or acknowledged by Luke) and rag-mag speculation, what did Antonia get from this?
Dad: Publicity.
A single word but one that resonates throughout an otherwise silent wood.
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But to be honest, I’m not entirely convinced this was for publicity. I’m not saying I believe Antonia is Luke’s girlfriend either – that’s a whole cauldron of contradictions on its own. I’m simply intrigued that Antonia has her Instagram tags turned off and she has not yet allowed any Boss event tags to appear on her page. So, outside of some junky rag-mag callouts and a few TikToks, what benefit did Antonia receive? And, if Antonia didn’t truly benefit from this appearance (or, at least she doesn’t appear to be reaping the rewards from a girlfriend or PR standpoint), who did benefit?
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I mentioned at the beginning of this post that a series of events had happened one after the other over a relatively short two-week period: (1) Luke’s mum mentioning “Luke’s girlfriend…from Cyprus” in a Facebook response; (2) leaked video and photos of Luke from a funeral; (3) those utterly ridiculous pap pictures of Nicola and Jake; (4) Nicola stating she and Luke were “just friends” in an interview; and (5) the sudden summoning of Antonia after exactly six months of being MIA.
As I sat here writing out the events of the past two weeks – and considering the reappearance of Antonia – I couldn’t help but speculate as to whether each of these events was meant to have a specific purpose that didn’t get its desired result.
The comment by Luke’s mother was so far out in left field, most Lukolas chucked it up to being suspicious and dismissed it as such. The funeral pictures and video released by one of Luke’s family members was quickly scrubbed from social media; therefore, just as quickly ignored. The pap pictures of Nicola and Jake were openly mocked across social media as being staged. The “just friends” comment – after almost a year of, particularly, Nicola dodging that phrase – didn’t seem to send many Lukolas overboard. Is it possible that the fandom’s mild reaction to all these events wasn’t anticipated? Which leads me to wonder if Luke and Nicola wanted a reaction and realized the only way they were going to get it was to play the only card they had left – Antonia.  
When you look at the above referenced events individually and collectively, they appear to indicate a push to shut down the Lukola narrative. Why?
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They could have shut down the Lukolas before the World Tour even took off. They could have shut down the Lukolas during the World Tour. They could have shut down the Lukolas after Papsmear. Why wait almost a full year to draw the line in the sand? Especially after every devoted Lukola would argue that (mostly) Nicola has left a trail of Swiftie-like clues to insinuate Lukola is real, and that Luke has made a visible effort to remove Antonia from his narrative.
Whatever the reasoning may be, we must admit Antonia’s reappearance had a purpose – and one that we need to respect. I have a hard time believing Luke would voluntarily step in the same pile of dog shit he stepped in back in June without a valid and significant reason for doing so.
And this is where I will draw the line.
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I will not speculate further about why Antonia suddenly rose from the ashes of Manderley – and I will not tell you which road to take from here. That’s something you need to do on your own but, be warned that regardless of which road you choose – the one where you conclude Luke and Antonia are a couple, or the one where you decide Antonia is playing the role of PR distraction – the Lukolas are currently fighting a losing battle.
The Lukolas have become collateral damage. They’ve either been caught in the crossfire of an online war between Luke and Nicola (and their respective sidekicks) over, presumably, Antonia; or they’re the unwitting victims of some messy PR bullshit that has resulted in Lukolas being bullied across every social media platform by rabid Jakolas and Anti-Lukes.
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Amazingly, though, many Lukolas remain resilient.
When the going gets tough…
But sometimes the tough don’t get going.
Yesterday, someone wrote to me, “Why are we still here? Just when we think something good is finally going to happen we get pushed back down. I’m tired of the dumb games.”
I rarely answer “Asks,” but my response to this comment is:
“Two roads diverged in a wood…”
Two roads.
One road is quite disheartening and the other is shrouded in underbrush.
But what you've overlooked is that there is an alternate path – a third road – the one that brought you to this point.
Turn around.
That road takes you back home – and, if you’re ready to go home, go home. It’s okay. It takes an unbelievable amount of courage to admit you’ve had enough. Remember that saying – “A wise woman once said, ‘fuck this shit,’ and she lived happily ever after.”
Take your time and decide what makes the most sense to you.
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Dad: What are you thinking?
Me: Of a poem.
Dad: Oh, which one today?
Me: “Two roads diverged in a wood, and I – I took the one less traveled by…”
Dad: Which road is that…?
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P.S. Just for a bit of comic relief at the end of an otherwise somber post (not even Dad could make it lighthearted), I just wanted to say:
I love eating grapes.
IYKYK.
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Those links I promised:
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itadorey · 2 days ago
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𝐁𝐄𝐓 𝐎𝐍 𝐈𝐓! — gojo satoru
pairing: gojo x gn!reader summary: little snippets showing how gojo satoru has always been a pain in your ass genre: fluff and angst #lol #soz word count: ~3k notes: sorry. spoilers for shibuya arc and onwards, mentions of jjk 236. also this is the only thing i've written in months so i'm kinda rusty
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Gojo Satoru is a pain in the ass.
More specifically, he's a pain in your ass, especially once he discovered that you're so much easier to rile up than Utahime.
It starts in high school, with meaningless bets made between the two of you that all result in endless lectures and reprimands from your respective school principals. But it's hard for you to stop agreeing to these deals when Gojo offers you a week without his presence if you manage to win.
Victories for you have become more common in recent years, with you learning how to words your agreements in a sly way that makes Gojo huff out a little laugh whenever you manage to outwit him. But your losses far outweigh your triumphs and you constantly find yourself dragged onto missions or out to new restaurants whenever Gojo wins. Which happens to be pretty often.
"I bet that the first years can beat you in a fight," Gojo says, snickering when you shoot him a nasty look. He takes a step closer to you, pouting when you distance yourself from him and speed up.
"I bet you that they can't," you retort, unable to stop yourself from disputing his statement. You don't turn to look at him, merely grumbling under your breath when he easily matches your stride.
You have no idea how you've ended up here, transferred (against your will you might add!) to Tokyo Jujutsu High to teach alongside the only man who has ever made you feel feral. And not in a good way.
The very reason for your arrival is none other than Okkotsu Yuuta, an overpowered, meek-looking teen with a cursed technique that seems to be a little more trouble than you originally thought. That's the only thing going through your mind when you're introduced to him, leaving you inattentive to the way Gojo slings an arm over your shoulders and introduces you as his significant other to the first years.
You're only brought back to the present when Panda— yes, an actual panda— congratulates you loudly, causing you to scowl and push Gojo far, far, away from you. You're the only one who doesn't notice how you actually make brief physical contact with him.
"I am not dating him. I'm your new instructor," you say sharply, introducing yourself before turning and walking out the door. The first years all share a glance before following, Zenin Maki leading the small group as she eyes you with interest. You come to a stop in the middle of the training field before flashing them a grin that can only be described as dangerous. "Now, we're going to see how much combat experience you have, so give me all you've got."
You then proceed to take on all four of the first years, all too aware of the way Gojo's stare never leaves your figure. At the end of the day, you're the proud winner of a Gojo-free week.
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Your first year teaching at Tokyo Jujutsu Tech is a tumultuous one.
You learn to treasure your friends a little more, and you find yourself thinking that you've become a pro when it comes to grieving.
(You remember Geto's defeated form as you arrived just in time to see the last smile he ever gave Gojo right before he took his last breath—)
The stress of everything even has you appreciating Gojo's presence in your life a little more, and when you tell Shoko this development, she merely snorts and pulls out a cigarette. You chide her for failing to break her habit even after she's promised you multiple times, only falling silent when you realize just how tired she looks.
You've become a pro at grieving, but that doesn't mean everyone else has, so you silently slide the cigarette packet back towards her and leave her to mourn in a way that seems to work for her.
The months that follow feel like a blur, and you get sent on plenty of missions to fill time. Your bets with Gojo seem to occur more often, and you find that you don't necessarily dislike hanging out with him whenever he wins. You wonder if the previous year has helped him mellow out, and you find yourself thinking a friendship with Gojo is possible. Especially after everything the two of you have dealt with.
Your appreciation for Gojo ends up fizzling out when you learn from Maki that he's been telling the new first year, Fushiguro Megumi, the same lies he tried telling the second years when you first arrive. It isn't long before you find out that Megumi is incredibly perceptive, and he doesn't fall victim to Gojo's lies about your nonexistent relationship.
Unfortunately, the two other first years aren't necessarily as... insightful as Megumi is, and all it takes is for them to see the way Gojo smiles when he's around you to believe that the two of you are meant to be.
Itadori Yuuji is a young boy that you think is a little wise beyond his years. When you hear about how he ate— yes, consumed— Sukuna's finger, you change your mind. He's seen a lot in the past few days, and it almost amuses you to see just how upbeat but jaded he seems. Seeing him interact with Megumi reminds you of sweeter times, back when you were their age and spent your afternoons sharing snacks and chatting with Utahime, and you feel an awful heaviness weighing down your heart when you realize just how small they seem.
You're tending to Megumi's wounds when you meet Yuuji for the first time, and you can't help but roll your eyes when you hear Gojo call out your name.
"This is my partner," he whispers loudly to Yuuji, lips turned up in a fond smile as you give Megumi the all clear. There's a mildly irritated huff that escapes you as you turn to greet the newest first year, but you can't help the way your lips twitch when Gojo tries to pinch your cheek and you swat his hand away. Megumi's suspicious eyebrow raise goes unnoticed by you as Yuuji bows in greeting, an easy smile on his face as he looks between you and Gojo.
"The two of you make a nice couple," he comments before his gaze drifts over to Megumi. You open your mouth to dispute Yuuji's statement but he makes his way over to Megumi before you have the chance to actually speak. "Woah! Fushiguro, what happened to you?"
The two boys walk into Megumi's bedroom, softly conversing as Yuuji pokes at the bandage on his cheek. You watch them fondly, sighing softly before turning around to leave.
"I bet I can also convince the third first year that we're dating," Gojo sings as he walks beside you, causing you to flinch away from him.
"I bet you can't," you respond automatically, feeling your stomach drop when he shoots you a cocky grin. He doesn't say anything before splitting off down another hall, shouting a quick goodbye to the two boys who are still wrapped up in conversation. You hope that Kugisaki Nobara is smarter than Yuuji.
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Kugisaki Nobara is not smarter than Yuuji.
You have hope for the first five minutes you interact with her, fighting a smirk when you notice her immediate disdain towards Gojo. There's a judgmental look on her face as he introduces himself, and you can't help but straighten up when her gaze lands on you and her eyes sparkle with curiosity.
"It's very nice to meet you," you say softly, introducing yourself and giving her a soft smile. She smiles back at you, her expression becoming strained when Gojo pulls you into his side.
"We're dating!" he proclaims proudly, earning a quiet groan from you. Nobara looks between the two of you skeptically, and you feel confident that she's going to call out his lie until she turns to look at her fellow first years.
There's a bored look on Megumi's face, but Yuuji is nodding his head enthusiastically, his eyes shining as he glances at you and Gojo. You shake your head in response, and Megumi's lips twitch in amusement at your contrasting demeanors. Your embarrassed state is apparently proof enough for Nobara, and she gives you a sympathetic look as she turns to face you once more.
"You're so brave," she whispers to you, wiping a fake tear from her eye before turning to Gojo. "And you're punching above your weight."
She promptly turns around and walks off before he can respond, leaving you fighting back a giggle as Megumi and Yuuji follow her. Gojo wilts at her words momentarily before turning to give you a dazzling smile, lifting his blindfold just enough for you to see him wink at you.
"I win!" he declares, laughing when he notices the way your eyebrows furrow in frustration. He turns to follow after Nobara, casually reaching for your hand and intertwining his fingers with yours before pulling you along. "Come on! We can't stand here all day, we might lose the kids."
He smiles when you don't really make a move to pull your hand away from his and makes a mental note to take you to your favorite restaurant this time.
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"I bet I can take out more curses than you."
Your statement is quiet, a familiar phrase meant to try and calm your nerves. You're met with a bored glance from Nanami, and you huff when he crosses his arms and shakes his head.
The atmosphere in Shibuya is unsettling, and even though you have complete faith in your abilities as a sorcerer, you can't help but feel a chill run down your spine when you think about what's to come.
"You should be making that bet with your boyfriend. Not me," Nanami says in response. You scowl at him in return, rolling your eyes when you catch sight of the amused smirk on his face.
"He is not my boyfriend," you mutter petulantly, all too aware of the way your statement lacks its usual bite. There's a quiet hum from Nanami before silence engulfs the two of you, and then—
"Are you sure about that?"
"Nanami!" you snap, feeling your cheeks warm as you turn to shove him. He barely moves, and you half-heartedly let out a string of curses as he chuckles. The tension you previously felt is broken momentarily, and you feel a brief moment of happiness as you joke with your friend. "Yes, I'm sure."
"I'm just saying," he continues, his tone even as he does his best to not give anything away. "Yuuji seems to think that the two of you are perfect for each other. I've heard quite a lot about how sweet he thinks the two of you are together."
"I can't believe Yuuji believed him," you mutter, shaking your head. There's a part of you that can't help but wonder what exactly it is that Yuuji sees that makes him think you and Gojo are a bona fide couple, but you tell yourself that now is not the time to dwell on that.
"Well, those younger than us tend to be more perceptive sometimes," Nanami says, unintentionally answering your internal question.
"What's that supposed to mean?"
"Nothing."
There's another moment of silence between the two of you before Nanami calls your name, bringing your attention to him once more.
"I'll accept your bet, but when I win, you have to take Gojo out to dinner."
"When you win?" you ask mockingly, raising an eyebrow as you stare him down.
"Yes, when I win," he says, doubling down on his statement. "You need to take Gojo out. As in a date. Who knows? Maybe you'll finally understand Yuuji's point of view when it comes to you two."
"Deal," you say, eyes narrowing when he holds out his hand for you to shake.
That's the last time you ever have contact with Nanami, and later on in the night when you find his body, you can't help but wonder which one of you had actually won your silly bet.
But as you discovered a year ago, you're a pro at dealing with grief, so you give yourself fifteen minutes to collect yourself before setting out to find your students.
After all, you now have to figure out a way to get Gojo free from the prison realm and maybe even honor your bet with Nanami regardless of who won.
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The relief you feel when you see Kurusu Hana unseal the prison realm is overwhelming.
When you get told by Shoko that she's giving Gojo a checkup, you act before you can stop yourself, bursting into the infirmary and throwing yourself into Gojo's arms. You let out a stuttered breath when he catches you effortlessly, one hand coming up to cradle the back of your head as you hide your face in his neck, and when he laughs you can feel your throat tighten up as you try to hold back your tears.
"Missed me?" he asks, cocky tone still present in his voice. His actions present a stark difference to his tone, and you can't help but think to yourself that he's holding you so tightly because he's scared of being separated from you once more.
So much, you think to yourself. But you're as stubborn ever and so you resolutely shake your head, drawing another laugh out from him as turns his face to press a fleeting kiss to the crown of your head.
"I did," he murmurs, voice soft as he pulls you even closer. "Miss you, that is."
There's a moment of silence as Shoko pulls Ijichi away, attempting to give the two of you some privacy as she gathers up the necessary tools. There's a mischievous glint in her eye when Gojo gives her an appreciative nod, but she refrains from teasing either one of you for the time being.
You make a move to pull away from the hug, a soft gasp leaving your lips when Gojo's arms tighten around you and pull you flush against him. You fight against his hold, pulling back just enough to see the pout on his lips. A breathy laugh escapes you, and your hands come up to cradle his face as you take the moment to process the fact that he's finally back. There's a softness in his blue eyes that makes you choke up once more, and you impulsively pull his face towards yours and press a kiss to his forehead.
He freezes beneath your touch, eyes fluttering closed as his breath hitches. His arms loosen in shock and you take the opportunity to slip out of his hold, cheeks burning when you turn and see Shoko and Ijichi watching the two of you with matching smiles on their faces. Gojo's hand darts out to grab your wrist before you can get too far, and he gently pulls you to his side, resting his head on your shoulder as Shoko proceeds with her checkup.
The days leading up to December 24 are eerily calm, and you make sure to take time for yourself in order to properly grieve Nanami and pray for Megumi and check up on Nobara's condition. Gojo joins you most of the time, silent but always within reach, with his hand holding yours or resting comfortably along your back.
"You know," you randomly say, walking alongside Gojo on your way to meet up with everyone else. There's a pit in your stomach as you glance at him, the knowledge of his upcoming fight weighing heavy on your mind. "I actually made a bet with Nanami before he..."
"I thought that was our thing," Gojo muses. His eyes linger on you before he turns back to face the road in front of you, tucking his hands into his pocket with an air of nonchalance.
"Nanami said something along those lines too," you say, laughing softly at the memory. "He still agreed to it, but he said that if he won I'd have to take you out on a date."
"Oh?"
Your words have piqued Gojo's interest, and he comes to a stop at the top of a staircase. You can see Yuuji's tuft of pink hair in the distance, and you drag your eyes back to your companion as you come to a stop as well.
"Too bad we never found out who won," you say flatly.
"Oh," Gojo repeats, his dull tone matching yours. You turn to face the staircase once more, trying to ignore the way Gojo's stare burns into you. You don't think you'll ever get used to those eyes of him.
"How about we make a bet?" you say lightly. There's a twinkle in your eye that sends a thrill down Gojo's spine, and he smiles before motioning for you to continue. "I bet that you can't beat Sukuna. If I win, you leave me alone for longer than a week, even though I know that'll be hard for you. If you win, I'll take you out on a date."
"Sounds like an easy win to me," he comments, laughing when you toss him a sly grin over your shoulder. "Betting against the strongest? I think you're guaranteed to lose."
"Perhaps, but I can't imagine I'll be all too upset about it," is all you say, shrugging your shoulders before descending down the stairs. Gojo smiles dazedly for a couple more seconds before following after you, effortlessly scooping your hand and entangling your fingers the same way he did when the two of you met Nobara for the first time.
The two of you are greeted with grins from all the students, the sight of your linked hands a welcome reprieve from everything bad that's happened so far. You hold on tight to Gojo until the very last minute, now all too aware of how awful it is to truly have him missing from your everyday life. You are unaware of what's to come.
You thought you were a pro when it came to grieving, but winning the last bet you ever made with Gojo has proved you wrong.
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ty for reading. rbs appreciated <3
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yumeka-sxf · 16 hours ago
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A very short new chapter this week but...wow, the preview mentioned that it's about a dream Anya had, but I wasn't expecting baby Anya right off the bat 😭
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A couple things we can infer about this short scene with her mother is that 1) they're both wearing what appears to be hospital or another kind of medical facility gowns, which indicates that they were perhaps both at the lab together. Likely her mother was there first for who knows how long, and Anya was born there?
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And 2) the emphasis on being able to fly like a butterfly makes me think that they're trapped there. Anya is too young at this point to understand what's happening, but her mother desires that at least Anya is able to "fly away" to a better life someday.
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It's hard to tell if Anya has her mind reading ability yet, or if her mother can read minds too. We don't see any of the "sparkles" that are used as a visual cue for when Anya is mind-reading...I feel like we would have seen that in the scene below when she's looking up at her mother before hugging her. But it could just be too short of a scene to say for sure.
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Some notes about the Japanese version, @spencer-is-someone and others were wondering if she calls her ママ ("mama") here as opposed to what she calls Yor, はは ("haha"), and yes, she does call her biological mother the actual word "Mama." This is consistent with the Eden interview scene too.
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The first panel of the Japanese version also has this extra text on the left that reads "a precious memory from some other time..."
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Something that I mentioned in my review of chapter 102 is how Endo hides the faces of certain characters in other characters' flashbacks, such as how Loid's parents' faces are hidden, as is the face of Henry's wife in Martha's flashback. In the same vein, Anya's mother's face is obscured as well.
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I interpret this as the characters' suppressing the memory of the character whose face is hidden due to the emotional trauma that character elicits, a trauma that the character having the flashback is trying to overcome, whether they realize it or not. In Anya's case, it could simply be that she doesn't remember her mother's face since she was so young, but regardless, I like that Endo is being consistent with this.
Side note, it seems like the design for Anya's mother is based on Ashe, a character from one of Endo's previous works. Anya's design was based on Ashe as well, so makes sense that her mother would have a stronger resemblance.
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Before the chapter ends, we're treated to "soft" Loid with the little sigh he has (the "phew" cloud in the lower right) whenever he's genuinely relaxing around the family 😊
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It's interesting how the mind-reading thing from the previous chapters with Melinda is brought up...when Anya asks if Yor can read her mind, Loid looks concerned, but when Yor tells him she only knew about the potato gratin because Anya saw it on TV, he relaxed.
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I kinda hope that the Melinda story continues in the next chapter, but it could be paused for now. Likely we'll be moving onto something else next time. Maybe we'll go back to the "Anya reveals her secret to Damian" thing, since school is resuming according to Loid. I am a bit surprised though that this chapter was so short despite not being called a "Short Mission" chapter. Endo could still be trying to catch up after the recent long hiatus he had due to illness. But it's fine, I'm happy with crumbs of Anya's backstory not matter how small! 😅
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lunarsworld · 1 day ago
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ʚଓ loving is easy when it’s you
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pairing: clark kent x f!reader warnings: none just fluff!
you had your fair share of meaningless “i love you”s and intimate moments, however nothing could prepare you for the anomaly that is clark kent.
you were used to a nonchalant-asshat who would gladly leave your side to talk to his other asshat friends about football. not clark though. everyday, like clockwork, he would be standing right in front of your locker, waiting for you to grab your books, waiting to grab your bag, and ready to walk you to class. you’ll always remember when he finally asked you out. “i- uh- i wanted to maybe ask you if you like wanted to go to dinner tonight?” he said while staring at the ground. you took your fingers and tilted his chin so he was looking directly into your eyes. “wanna try that again while actually looking at me?” you were so cheeky it made him fall even more in love with you. he straightened himself out and looked into your eyes, almost getting lost in them, however clark keeps to his point. “ok, dinner tonight. i’m picking you up at 6:30 sharp. don’t be late. wear a dress too- actually wear anything honestly- you look good in anything anyways.”
and your favorite memory of all was when you got in the car after he picked you up. “i think those are your favorites. also- uh- you look beautiful, by the way. but like nothing new right.” you grabbed his hand, trying to calm his nerves. “they’re perfect clark. thank you. you clean up nice yourself.” you said with your perfect charm. what happened to the shy girl he knew when you first became friends? did his nervousness make you cocky all of a sudden? clark couldn’t tell ya, but he sure loved it. loved you actually, although he wasn’t ready to admit it yet. however, he wasted absolutely no time locking you down. sealing the deal and asking you to be his girlfriend that same night.
now it was around 7 months of being with him but nothing changed. waking up next to him was always like a continued dream. you rolled over to lay on his chest, his arms still wrapped around you. you nuzzled your head into the crook of his neck and closed your eyes. you felt light pecking on your forehead, lips soft like a pillow, and tilted your head up. “mornin’ sweetheart,” he said between pecks, smiling into each kiss. “morning dimples,” you said sweetly, giggling at the nickname you made up from your boyfriends signature smile. “god, i could get drunk off your laugh. actually, you’re just too gorgeous for your own good.” he said as he slowly began to cage you tighter between his arms. “clark!” you whined. “too gorgeous, maybe i’ll just have to keep you here forever. my eyes only, ya know?” he muttered as he wiggled his eyebrows. “you’re so annoying.” even though you were groaning, you had never been more in love with someone than you were with clark kent. “still love you i guess.” you muffled from his tight grasp.
“i love you even more, sweets. more than the moon, stars, and everything ever combined!” and then you knew however much you loved clark, he always loved you 100x more.
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turtle-paced · 3 days ago
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Have you ever felt like Martin doesn't like Cersei? The way he writes about her made me question? I mean she is both evil and stupid and it seems like we are supposed to laugh at her.
Cersei is pretty evil, and while I don't believe she's stupid, it's hard not to laugh (incredulously or otherwise) at her many, many bad ideas over the course of the series. Especially in AFFC.
But it's also clear to me that GRRM has compassion for this villain he's created - and that he has right from the start.
Let's put this under a cut for domestic violence and sheer length.
Ned touched her cheek gently. "Has he done this before?" "Once or twice." She shied away from his hand. "Never on the face before. Jaime would have killed him, even if it meant his own life." Cersei looked at him defiantly. "My brother is worth a hundred of your friend." Eddard XII, AGoT
GRRM chooses to frame the pivotal confrontation between Ned and Cersei with the reality of the domestic violence Cersei has experienced. Whatever else happens in that scene, whatever else she's done that might or might not be justified, the author makes sure the reader knows, Ned knows, that Cersei has good reason to hate Robert.
When she hesitated, then sat, Tyrion knew she was lost, despite her loud declaration of, "I will not marry again!" "You will marry and you will breed. Every child you birth makes Stannis more a liar." Their father's eyes seemed to pin her to her chair. Tyrion III, ASoS
This is re-emphasised as Tyrion witnesses Tywin's abuse of Cersei. Even Tyrion, who also has good reason to hate Cersei, cannot help but see how their father completely ignores Cersei's desires, reduces her autonomy to rubble, and above all makes her feel small. This is quite deliberately in Tyrion's PoV to make that dissonance stronger. Cersei is awful, but Tyrion can take no satisfaction in Tywin mistreating her.
Similarly,
His sister sat in a puddle of wine, cradling her son's body. Her gown was torn and stained, her face white as chalk. A thin black dog crept up beside her, sniffing at Joffrey's corpse. "The boy is gone, Cersei," Lord Tywin said. He put his gloved hand on his daughter's shoulder as one of his guardsmen shooed away the dog. "Unhand him now. Let him go." She did not hear. It took two Kingsguard to pry loose her fingers, so the body of King Joffrey Baratheon could slide limp and lifeless to the floor. Tyrion VIII, ASoS
Cersei's grief over watching her son murdered in front of her is a key character moment for her. Is Joffrey a good person? No. Is Cersei's immediate response of demanding Tyrion's arrest a good and just idea? No. Is that grief still real? Absolutely.
It was more than Cersei could stand. I cannot let them see me cry, she thought, when she felt the tears welling in her eyes. She walked past Ser Meryn Trant and out into the back passage. Alone beneath a tallow candle, she allowed herself a shuddering sob, then another. A woman may weep, but not a queen. Cersei III, AFFC
That lasts. It's not healthy but it is genuine. The author isn't putting this in here so we laugh at her. The author is putting this here to help us remember throughout the parade of evil and stupid crap Cersei's about to do that Cersei is a human with human emotions.
And when all that crap has backfired on Cersei, the author makes sure we know that the punishment inflicted on her is not for her sins but instead for her biological sex. He shows her break from that treatment.
Words are wind, she thought, words cannot hurt me. I am beautiful, the most beautiful woman in all Westeros, Jaime says so, Jaime would never lie to me. Even Robert, Robert never loved me, but he saw that I was beautiful, he wanted me. She did not feel beautiful, though. She felt old, used, filthy, ugly. Cersei II, ADWD
The walk of shame is just misogyny, pure and simple, nothing to do with what Cersei's actually done wrong. It is deliberately not karma out to get Cersei. It is deliberately not comeuppance. It is a reminder that Cersei has a point all those times when she points out she's been treated differently because of her sex - even if it's not the whole of the reason people don't respect her.
Even if a reader doesn't think Cersei deserves mercy, even if a reader finds her political bumbling funny, there's a lot around her that shows us that the reader wants us to think carefully about what made Cersei both a horrible person and a horrible politician. She is most definitely not there just to be the butt of the author's joke. That's Victarion.
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bonefall · 1 day ago
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the ShadowClan talk made me look through Brokenstar's BB Tags, and. a) is Lizardstripe still related to Finchflight, if you are keeping Finch-Dawn as a couple (with Dawncloud's age redux)? b) i keep seeing stuff about Snowtuft and killing kits, but i cant find anything actually detailing on that on the blog, and one of the older posts also mentions that Blizzardwing is either his son/grandson AND that Lizardstripe's mother was the kit he couldn't kill. what is all that about, im dying to know.
This is info that's scattered across a bunch of different posts, plus more deets and changes I haven't had a chance to dive into. Snowtuft committed an atrocity which would torment his victims and descendants for generations, for both its legacy and its trauma.
SO I wanna put as much of it as possible into one place for now, so you don't have to go guessing based on older posts. Especially since some of those posts are long outdated, but I haven't contradicted them yet.
To start the story of the two families, it begins with Snowtuft and the bloody end of the Crusade Era.
CONTENT WARNING; this is one of BB's darkest tales. It involves depictions of xenophobic violence, child murder, war crime, PTSD, abuse, and kidnapping. BB!Snowtuft's a bad kitty!
SEE: Kitten Stealing
(Also: After writing it out, I kinda realized this would be great as a BB entry on its own. I should come back and clean this up someday.)
PART 1: THE LAST CRUSADE
Cedarstar inherited the Crusades from Houndstar, continuing them more out of respect for her legacy than true zealotry.
He had actually been chosen as a deputy because he would run the Clan while she was off gallavanting.
He wasn't a pushover or anything, just prefered logistics. Him and Pinestar were tragically ahead of their time.
...but like other cats of his time, he was from a culture that didn't extend personhood beyond the Clans. So, he continued the Crusades.
Even though they weren't getting easier.
Crystal of Chelford had already used a new tool to carve a red future for the cats of the town...
and what were once defenseless little targets began to unite into organized, armed response teams.
Non-BloodClan "zones" got rarer and rarer.
The territory and underlings of an influential cat named Jay were among the last holdouts, so it's where most of ShadowClan's raids were launched.
And on one of these raids... it happened fast.
Snowtuft turned an alley and was ruthlessly attacked. He defended himself.
In the confusion, another assailant ran towards him. He acted swiftly.
It was reflex! Instinct! He couldn't tell what was coming at him. It was a split second decision.
He couldn't undo what had happened. The kitten was dead, next to its mother.
And the others were screaming, crying, terrified.
Snowtuft doesn't remember what he did next. He doesn't want to.
But Puffballburr does.
She used to see it every night.
She remembers her name, too-- Pixie. And her mom. And her littermates.
And the look that washed over his eyes when he realized the ragged flesh at his feet was a kitten.
Raw shock, electrifying shame, the dawning horror of knowing you've definitely done something that you're going to get punished for.
And when his white, blood-splattered face turned slowly towards her and her wailing siblings, she recognized that emotion too.
It's a very childlike response, really.
He needed to cover up his accident.
And he almost did, too. It was dumb luck that stopped him as he grabbed her tail and dragged her out from her hiding place. One of his clanmates heard the awful racket, and Pixie had survived just long enough.
PART 2: ONE OF US
They took her away, just like any other "honor kitten," but the Clan cats believed this was different somehow.
Something about the naked horror of what Snowtuft did, maybe. Impossible to ignore.
But it's not like he faced any real justice for it, not that Puffballkit could remember seeing. So clearly it wasn't very different at all.
His mate left him, and the older warriors regarded him with a distant sort of "shame." He was ostracized from many circles.
But Puff's siblings had not been "clan cats" so the Warrior Code did not apply to them. He faced social dishonor, not legal.
Ever-merciful Cedarstar did not want to "ruin" more lives.
"Not when the kit is far too young to even remember what happened," he said. But she did remember.
And her name. Her mom. Her littermates. That face.
She just knew, growing up, that she couldn't know about it.
Because Snowtuft was always right there, just around the curve of the den, just behind the cover of the rose bush thorns, listening.
They're ALL Snowtuft.
To admit she remembers it is to admit she isn't one of them. And if you're not one of them, the law does not apply to you.
As a kid, she couldn't articulate it. But she understood it.
Deep down to her brittle, kittypet bones. Her filthy, stillwater blood.
The ungrateful heart that beat in her chest.
Fear expressed as a constant, calm obedience of authority. A permanent dread, as if living in a pack as a sheep in wolf's clothing
So she was quiet, notoriously so.
Whoever her foster was, Puff was like a little white shadow. It's where the warrior name came from, eventually-- a puffball clinging to someone's fur. (after writing this though, half of me wants to start calling her Lambfur or Lambfrost.)
ShadowClan plunged into the Campaign Era with Heatherstar's invasion of the Mothermouth Moorland, and the massacre of some kittypet family became awkward history. Those old enough to remember still kept a distance from Snowtuft... but war took its toll.
War means death and those older members of the Clan are not replaceable.
Younger cats weren't there to see the horror of what Snowtuft had done... and time would make him bolder.
Finding growing sympathy in his apprentices, spurred on by the hardening of the culture in tandem with the official birth of Thistle Law, Snowtuft started to change history.
The official Educator of ShadowClan (still unsure who this was) had one story, and Snowtuft had one too.
"Details" were quietly changed in his. They weren't "kits" but "young cats." They charged out to aid their mother. Then maybe she wasn't their mother. Who knows.
Pullball's name was left out of these stories, on both sides. No need for the kittens to know that she wasn't one of us.
And if she was? That's a good thing for her. Living the life of a Clan cat.
He wouldn't share if "he wasn't asked," but all of his actions, his language, was a silent plea to be asked.
He wanted to forget the whole thing, because of his nightmares, his constant shame and punishment, how hard the whole ordeal made his life-- but he couldn't so it was constantly coming out of his mouth.
There was a deep resentment on his end, towards Puffballburr. How she was part of the Clan now, always reminding him. Like it was her fault.
In the end, Snowtuft didn't blame himself. He blamed everything else. The guilt was killing him a little bit every day...
But not as much as that WindClan cat's claws did. Those killed him a lot in one day!
But Snowtuft's death didn't bring Puffballburr any peace. She just felt... annoyed. Which was strange to her-- she should feel relief, but, she didn't. She was just thinking about how the next battle with WindClan would be harder without an extra set of claws.
PART 3: GOING HOME
Puffballfur is the queen of low empathy, and her emotions are... hard to predict.
Not in a chaotic sort of way, but in a "Huh, interesting, I didn't think that of all things would get me going" sort of way.
She both lives in constant "fear" but also a persistent banality. It's kind of like being in a cage with a chained tiger, but you've marked the exact spot on the floor where the tiger's chain ends.
Imagine getting nightmares that stop you from sleeping, but you know that they aren't going to come true. So you lay there with a throbbing heart, mostly feeling annoyed that you're going to be tired in the morning.
That's her life.
Sometimes when she couldn't sleep, she'd roll on her back in the nest and critique the assassination attempt in her mind.
Did he think his dumb plan through? Or did he just react without thinking? It was going to be obvious he killed a bunch of kids, whether she survived or not.
Or maybe he would have just said that the rogue killed her own kits to prevent them from becoming Clan cats. They'd probably believe that.
Either way it was sloppy. Could have had more kits if he didn't kill her sibs.
She had connections within the Clan. A foster, hunting buddies, apprentice. She was kind to them, especially when they were useful. But...
It feels like she's not like them. Like they have variables to their behavior that she doesn't. Drives and desires that are pointless, sometimes even frustrating.
Like the concept of "honor." Ridiculous. Every single person who talks about it is hypocritical about it in some way, and it causes unnecessary fights in the camp and on the border because of ridiculous ego.
She just performs it because the other cats value it-- and when people like you, you get what you want.
I'm not sure who her mate was, or if it was even just one. In any case, when she found herself pregnant, she declared Queen's Rights. I feel like she might have had a fling with someone, but got annoyed by their clingy behavior.
When her daughters were born, Bracketkit and Lizardkit, she felt pride.
Because... they didn't belong to someone else. They weren't even really ShadowClan's. They were hers.
For the first time since her mother and littermates had been taken away from her, she felt like she was looking at family. People who would always be with her.
But that didn't last...
...because a chance encounter only a few moons later reconnected her with someone who remembered her.
Not a littermate, but an older sister. Marmalade. She couldn't believe that Pixie was alive.
This is a WIP zone because I'm not sure, yet, if I'm keeping Hal's attack on ShadowClan. In any case, they continued to reconnect for moons.
The fact that she was remembered, that she could talk openly about what happened, and that Marmalade wanted her and her kittens to come home made Puffballburr's stomach flutter with excitement. She felt valuable.
And with the war getting worse and worse, this was absolutely the best choice for her kittens as well. They would be safer with BloodClan than they would with ShadowClan.
No longer would she be Puffballburr. Her name was Pixie.
ENTER: LIZARDSTRIPE
Puffballburr wasn't a bad mother, but it would feel a lot better to be Lizardstripe if she could have the simplicity to just say she was.
Her earliest memories of her mom and her sibling were outside of the camp on a cool, clear spring night, laying in soft marshgrass. Puff was laying on her back with her hind legs bowed out, a kit tucked under each paw, pressed to her fluffy, warm chest. Her face was turned upward, quietly, at the moon, as her daughters slept peacefully.
She's not sure how long after she'd opened her eyes that this memory took place, but Lizardkit looked up towards the bright, starry sky... and she remembered that the light hurt.
Her needs were always taken care of, but Puffballburr hated explaining things.
You learned quick to treat your questions like a valuable resource, and to listen carefully.
Lizardkit was sharp, much sharper than her sister. She caught onto the way that her mother viewed relationships in a very transactional sort of way-- and stayed aware of her balance.
And had to consider the cost of doing the things her mother was fond of, versus what the other kittens and queens in the nursery expected of her.
What Puffball didn't realize when her children were born was that they were family, but they were also ShadowClan. Even if this was not something she had ever felt a connection to.
Deep down, it didn't truly click with her that her children were not extensions of herself.
And when Lizardkit was a child, learning history from the Educator and getting involved in more of the Clan's goings-on, Puffballburr spent less and less time with her. Because she was reconnecting with Marmalade.
When Bracket and Lizard had their apprentice ceremony, Puffballburr was not there.
Lizardpaw's mentor was the infamously powerful, chaotic fighter, Finchflight. Bracketpaw was assigned to Brackenfoot. (There is an earlier post suggesting that Lizi and Finf were going to be related. I decided to make them mentor/apprentice instead.)
Finchflight immediately began to stress the importance of loyalty. Being one of the younger cats who had sympathized with Snowtuft and knowing the secret behind Puffballburr's beginnings, he nurtured a pain within Lizardstripe. Encouraged her to let the distance between her and her family grow.
Eventually, Puffball told her children that they were going to leave ShadowClan. They had family in the town, would be safe there, could start a brand new life together.
And Lizardpaw was shocked.
It was like everything Finchflight had said was true.
And they were going to leave her.
She reacted violently to the suggestion, attacking her mother. Told them that she was going to expose them, lead a patrol right back to their new hiding place, bring them "back home."
In defense of Puffballburr, Bracketpaw brawled with her sister. They fought viciously, until their mother separated them with a desperate, devastating whack to Lizardpaw's head.
Laying dazed on the ground, she heard an apology before passing out.
When she woke up, she was safely protected within a blackthorn bush-- with a nick on the outside of her ear.
She stayed out there for hours, not knowing what to do, where her family had gone, or what she was going to say when she got home.
But, looking at her reflection in a puddle of water, she became so angry at the idea of this being her first scar that she ripped the other ear, on the opposite side.
When the search party found her, they asked what had happened to her. If she had seen her mother or her sister, or if something had gone wrong.
"Nah. Took a nap to get away from them. Ripped my ears on the thornbush."
Later, when she would be interrogated or questioned by people she didn't want to lie to, she would tell a half-truth;
"I did it to myself. Liked how it looked. Last I saw of Puffballburr and Bracketpaw, they were upset I'd done it and left, so I took a nap."
She didn't mind that her Clanmates thought this was weird. She didn't care about whispers that it was all done for attention, or that it was dishonorable to do such a thing and they probably met a predator after storming off, and she didn't even mind the gossip guessing at the "real" reason behind her ripped ears.
The only people who ever got the whole truth were the Forget-Me-Nots. After their disappearance, Lizardstripe didn't talk about her family for years, insisting upon having no further details. Even if it meant that mystery and suspicion would hang around her like a cloud.
BLIZZARDWING: KIN OF SNOWTUFT
Snowtuft's daughter was named Lilyfur. She was a kit when her father slaughtered Pixie's family.
When her mother left her father, she also distanced herself from him. This was something Snowtuft was outraged and saddened by.
But Lilyfur's mother couldn't stand the idea of a kitten-killer trying to stay close to her daughter. How could he look at little babies, the same age as his own child, and kill them?
Lilykit grew up very conflicted. She remembered how much she loved her dad, understood that he was a kitten murderer, but he continued to be so kind to her into adulthood.
It was hard to think of him as someone who could do something so horrible.
Earlier draft had Lilyfur die and her kittens were raised by their kin, Snowtuft, but I'm currently leaning towards Lilyfur being alive but just letting him be an active part of their lives-- in spite of her discomfort.
Because the more time he spent in her life, paradoxically, the more obsessed he became with all the "time he lost out on."
Which ended up including entertaining a lot of conversations about how he'd never done anything wrong, ever, and everyone was mean to him.
Lilyfur: "ok maybe he's not evil but my dad is really annoying <:/ but he's really lonely. He needs me. and i cant take him away from his grandkits"
From this, what Blizzardwing absorbed was the idea that love and forgiveness was always tolerating your family no matter what. This would express itself in his toxic relationship with Hollyflower.
But Blizzardwing now has a sibling. I haven't settled on a name yet-- but I'm playing with him either being Angelshade or Silkflower.
I really like the name "Angelshade" as a reference to the notoriously deadly white mushroom, the Destroying Angel. But also. someone in the audience asked if I could give the prefix "angel" to a cat because it's their name, and I feel a little bad about giving it to a character who is going to be one of the nastiest little background characters in all of BB lmaooooo
i'm so sorry angel (positive), is it okay if there's an angel (derogatory)
ANYWAY, Untitled Blizzardwing Sibling grew up adoring his grandpaw.
Radicalization can be a slow creep. He loved peepaw, so if he was asked when he was young, he would happily repeat the adjusted version of history he was taught.
And then when Snowtuft died, he wanted to remember him fondly. The story slowly changed, becoming more "accurate," just getting more comfortable with the idea of dehumanizing outsiders.
So what, if he killed some kittypet? And if some kits had already been indoctrinated into their kittypet life? It was still a gain for ShadowClan, in the end.
One summer day, without warning, he came home with two little kittens. One was white, one was brown, both had the pinkish tinge of poorly cleaned blood.
He grinned playfully at Brokenstar, and claimed Queen's Rights in a singsong tone.
Because of that rite, no one could ask where he'd gotten those kittens from. But everyone knew he'd done something grim.
Those kits, Whitewater and Brownstone, grew up under the crescendo of Brokenstar's reign, both taking part in the WindClan Massacre.
Whitewater's bloody story includes joining Mudclaw's Rebellion, giving birth to three kits, a souring relationship with her son, condemnation to the Dark Forest, ends in the Battle of the True Eclipse after killing her grandson.
Brownstone's tale includes a relationship with a WindClan cat during the bloodiest period in the history of their two Clans.
And their father's story ends in Chelford, after being exiled from ShadowClan by Nightstar. His canon counterpart is the Unnamed White Rogue from Rise of Scourge, who tries to order Scourge to be his personal servant.
(the other two cats are Braketail, the "Offbrand Brokenstar" pale tabby, and Pirateheart, the gray rogue with green eyes. Glitch Warriors for the pile!)
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protect-namine · 3 days ago
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YE6's butterfly effect. AKA: how did vein "die"?
I'm trying to puzzle out the butterfly effect in YE6, and here is my interpretation so far. if this theory is correct, it would also answer the question of who has the faking death ability and what exactly was liu xiao doing during the whole arc.
of course, feel free to correct me if I got this wrong. I could be missing some key information. I'm just writing this in an attempt to figure it out myself. also, this is gonna be a long post, sorry.
a lot of people are speculating that lu guang directly killed vein somehow through an ability, but I don't think that's what actually happened (although I wish that was the case). I also don't think the situation is as simple as "lu guang wanted vein dead" because I also think that liu xiao is interfering with the same events. there are two puppeteers in YE6, imho.
let's start with lu guang. for one thing, we know he can't directly kill vein with any of the abilities he has, since both scanning 12 hours of photo history and diving into the past require, well, a photo, which lu guang did not have. yingdu even stressed the rules of how both abilities work. if lu guang directly killed vein through ability use, this would imply he has another ability up his sleeve, and I really don't think we've been given enough evidence that points to that. if he always had this ability, why hasn't he used it before on vein in other timelines?
remember that yingdu has a lot of visual metaphors in its storytelling compared to other seasons. I believe lu guang caused the chain of events to happen in such a way that vein would die, but he was not the one to kill him, and that's why there's the animation of him orchestrating vein's death through wang qing, like a ventriloquist would control a puppet. in fact, I would go even further: lu guang and wang qing never got the chance to kill vein, although lu guang certainly thinks he did. we will circle back to this under the cut later, once we've built up the evidence to reach this conclusion.
another thing is the info we learned from an interview with director li. it is unfortunate, imo, that we had to learn this through an interview and not from the show itself (I feel this is yingdu's biggest writing flaw), but whatever. here are the key points to know though:
vein doesn't have an ability during yingdu arc
liu xiao has more than one ability (we know one of them already, which is interestingly enough, heartbeat related)
(not from the interview, but hinted in the show) someone has a "faking death" ability
before we go into the butterfly effect and how vein died, let's go over the details of his death:
from the autopsy report: vein's cause of death is myocardial infarction. aka a heart attack
xia fei later says there were no external injuries and no signs of poison
also, tiny detail, but vein was holding something like a tranquilizer gun in the clinic. the "bullets" he fired on both wang qing and cheng xiaoshi were meant to put them to sleep, not to kill them.
finally, let's lay out some character motivations. this will be important later.
liu xiao wants to get the notebook that belonged to cheng weimin. vein is working with him on this.
lu guang wants to avoid cheng xiaoshi's death node, and he plans to do it by killing vein
now, for the analysis. how did vein "die"?
let's establish something first. since xia fei doesn't know what happened to vein and is looking for the true culprit, we can rule out his involvement. he probably doesn't have the faking death ability, since it was used on vein. and vein doesn't have an ability. so the most likely person to have this ability would be liu xiao. he is also most likely the one to open the body bag with vein in it.
so we can now assume that liu xiao has two abilities:
he can sense someone's emotions and intentions through hearing their heartbeats
he can "fake death" (it is unclear how this works)
well. what an interesting combination! let's put a pin on that for now. remember this for later.
okay. now. let's switch over to lu guang. the big important question here is this: how did lu guang know that delaying vein from entering the clinic would lead to his death through a butterfly effect?
for full context, let's look at what lu guang says in his conversation with vein (I'm using ani-mi's translation, but I watched the bilibili one first and there aren't any drastic changes imo):
do you know the butterfly effect? in a dynamic system, event the smallest changes in initial conditions can lead to vastly different outcomes. I've been wondering, how do you alter a destined ending? what would happen if, before the conclusion, we added another fixed point? another unchangeable node? instead of avoiding deviations, why not let it deviate completely? I know I can't stop you. but I can make you stay a bit longer. now, you can go in.
two things here. first, the mention of an unchangeable node. aka a death node. lu guang for sure wanted vein to die. because if vein dies first, he can't kill cheng xiaoshi. simple logic; great plan.
next, from this speech, we can infer that lu guang planned to create a small change (a butterfly effect) that will lead to a big consequence (vein's death).
it's the second part that should clue us in. he said, "I can make you stay a bit longer. now, you can go in." he knows he can't stop vein from entering the clinic. but he can stall him. he can add a small bit of delay, long enough that it actually matters that vein went into the clinic later than usual.
lu guang knows the effect he wants (vein's death) so how does he know what event (stalling him) would cause the domino effect that leads to it? why does that small delay matter?
let's look at what that extra bit of time actually changed. by delaying vein, another important event happens: cheng xiaoshi has extra time with wang qing, long enough for him to meet his mom, shao yuanyuan. cheng xiaoshi then learns that shao yuanyuan is trying to save cheng weimin. he promises to wait for them and to stop investigating. it is after he makes this promise that vein enters.
we can now infer one more thing here: cheng xiaoshi did not meet his mom through wang qing in the original order of events. this event only happens because lu guang stalled vein.
most likely, in the original order of events, vein incapacitated wang qing too early for her to do anything to him. we don't know what her ability is, but it doesn't matter for this post. all we need to know is that lu guang believes wang qing could kill vein if she was never put to sleep. that is the point of stalling vein from entering the clinic early.
so here's part one of my theory. from lu guang's perspective, this is the plan to kill vein:
stall vein from entering the clinic
because vein entered late, wang qing was possessed by someone with better fighting abilities, allowing her to hold out during the fight
she is then freed from possession, and is still awake when vein tries to leave with the notebook
I don't think we have enough information to really explain what happens next, but what's supposed to happen, imo, is that wang qing kills vein, either through her own ability or someone else uses her to do it. it doesn't really matter how, but this is what is supposed to happen. this is what lu guang wanted to happen. for the sake of this post, we will assume wang qing has an ability to kill vein
vein dies, therefore he can't go to the time photo studio in the future to kill cheng xiaoshi
that's lu guang's butterfly effect. stall vein -> vein dies -> cheng xiaoshi lives.
simple? not quite. I did mention there's another person interfering with these events.
everything I mentioned above is from lu guang's perspective, and that this is what's supposed to happen. but let's look at the actual order of events.
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wang qing wakes up (is freed from possession), notices the notebook on vein, and calls his name (interesting point: she knows his full chinese name). at this point, her eyes have NOT changed color yet.
vein gets a heart attack
only after that does wang qing's eyes change color
we know that changing eye colors is not diegetic, meaning this is more for the audience's benefit. their eyes don't really change color in-universe. sometimes they don't even show us eye colors changing. but when they do show us, we have to pay attention.
therefore, I believe that the timing of the shift in eye color matters.
so here's part two of my theory. liu xiao knew lu guang is going to interfere, so he already arranged a "fake death" for vein in advance (which he doesn't tell vein about lmao, but he seems to have figured it out when he gets the heart attack)
this is how, I believe, yingdu happened from liu xiao's perspective:
he wants cheng weimin's notebook. wang qing has it, but would never give it to him. but she might for cheng weimin's son
he baits cheng xiaoshi into going to bridon
he heard lu guang's heartbeat in the airport, which tipped him off that he's someone he should watch out for
he confirmed that cheng xiaoshi and lu guang are investigating cheng weimin
he assigns xia fei to keep an eye on their progress
he planned to use cheng xiaoshi to bait wang qing into giving up information about the notebook. this is why when xia fei told him that cheng xiaoshi was about to meet her, liu xiao reacts like this is the expected outcome
he assigns vein to get the notebook because wang qing is about to reveal the location. but he also knows that lu guang is kinda shady, so when lu guang stalls vein (and tells him! bro don't tell your plans to your victims! don't tell him you're trying to make a butterfly effect!), liu xiao either just knew this would happen or vein tipped him off before going in
now, notice that vein gets a heart attack before wang qing uses an ability (or is used, whatever) to kill vein. and what have we established before at the beginning of this post? liu xiao has a heartbeat related ability and can fake a death. we don't know the mechanics of the second ability, but we know that compatible abilities can combo with each other. it's not far-fetched to think that liu xiao can fake death with a heart attack
later, we see vein wake up after someone (most likely liu xiao) opens his body bag
so now who's fooled? the police arrives and even does an autopsy. they declare vein dead. lu guang is relieved, and for years he believes this. vein doesn't even visit the studio in 2021 (though li tianchen does, through liu min, but that's neither here nor there). he avoided a death node by creating another one. we can let him believe this lie for a little while...
TL;DR lu guang created a butterfly effect by stalling vein, and that creates a domino effect that should have led to vein's death. except he's not the only one interfering with the timeline. while this is happening, liu xiao orchestrates a fake death for vein before his supposed death actually happens, allowing him to act dead during the autopsy and "revive" later
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kastalani123 · 2 days ago
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Not my usual content, but I just. I wanna ramble, ig.
Do you understand how baffled I was about how the vampire book, written by a man in 1897, is essentially a PSA about how important proper communication is?? Even after I scrolled through Tumblr, saw the memes, read people geeking out about the relationships (platonic and romantic) in Dracula, I was still caught off guard, because. Like. Everything in this book is about communication.
Sure, it's kind of a given, considering it's an epistolary novel partially made up of letters between the characters, but. I dunno. From Dracula controlling Johnathan's lettres, van Hellsing refusing to tell anyone shit, the men keeping Mina out of the loop, to Mina using her telepathic link with Dracula, it's. It's literally all about how important actually talking to each other and sharing information is. Fuck, throw in the fact that "Harker", Mina and Jonathan's, arguably the main characters, last name means "to listen"/"eavesdropper", and that the book is Mina's in-universe creation to help compile, organize, and share what they know about Dracula, and the book's very essence becomes centered around information-sharing!
And I just. The narrative punishes just about every secret hidden, every time the characters don't communicate. There's the obvious, Dracula keeping Johnathan from sending out letters for help and Mina getting bitten because the men leave her home alone, but also. Van Hellsing not telling Lucy's mom that the garlic flowers and closed windows and so on are the treatment and she is not to touch them is what kills Lucy and her mom! They maybe could have survived if he just told them what's happening/what he's doing! And even the godsdamned telegram he sends to Seward! If he had just addressed it properly (communicated to the telegram boy properly!) then Seward wouldn't have been late and maybe could have prevented the massacre!
There's also Jonathan's diary right after he finally reunites with Mina, and obviously Mina's whole ✨ thing ✨ with the diary during their wedding is like. Peak romance, but Johnathan doesn't fully get better until Mina reads and shares it with van Hellsing and van Hellsing assures Johnathan that he's not insane. Sure, it's an oversimplification of PTSD and healing and such, but it makes sense, especially if you consider communication and information sharing as a major theme! Only sharing his experiences, reading through them himself after blocking off the memories, is what heals him! He cannot get better without knowing what happened, and without others knowing what happened, because knowing and sharing is important.
Renfield's also an interesting case. I don't have the book with me right now to check, but as far as I remember, he tries to talk about Dracula, tries to get Seward to release him from the asylum so Dracula can't use him against Mina, but is dismissed entirely; as a consequence, Dracula gets in the building, kills Renfield, and bites Mina.
Even the language barriers! The villagers Johnathan meets on his way to Dracula's castle try so hard to warn him of the danger but they can't. They can't, because they don't speak enough of the same language, but they try so hard. But whatever does get through to Johnathan, such as that woman begging him to take the crucifix she gives him — that might've saved him. It keeps him unsettled and wary and he does keep the crucifix, which wards Dracula off. They can't communicate the full extent of the danger, but what they managed is probably responsible for him surviving.
And the whole idea is even mentioned in-text! Sure, Lucy saying that a wife ought to share everything she knows with her husband is definitely sexism-flavoured, but Johnathan says it too! He says that his idea of an ideal marriage is one without secrets! And Johnathan is effeminate, yes, he spends a good chunk of the book as the "damsel in distress", but he is still the hero! He is still the one who kills Dracula (with Quincey), and can therefore be assumed to be an intended role model. The (male) main character and hero of an 1897 novel says that a good relationship relies on communication. Sure, he doesn't always stick to it, mostly by agreeing to keep Mina out of the loop when van Hellsing pushes for it, but that doesn't discount that that is what Stoker set as the ideal.
I just. I love this book so much. It subverted just about all expectations I might've had about it and I'm so glad for it. It's undeniably a product of its time, with plenty of racism and sexism and ableism, but it's also so. Not, at the same time? It's so good.
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neiptune · 3 days ago
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what are we, high schoolers?
cw: 1k wc, female reader, just a short cute playful scenario in which your fwb oliver happens to be especially amusing when jealous. maybe this is self indulgent. no one perceive me thanks
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“Wow”.
You don’t pay attention to the remark, not even thinking it could be directed your way. The tv is on and he’s also on his phone, maybe he’s commenting another soccer reel.
Oliver has to clear his throat to reclaim your attention, repeat the not so innocent observation with purpose.
“Wow”.
You finally tilt your head upwards to meet his gaze. It’s a comfortable position, lying on his lap, the two of you engrossed in different activities but still close enough to feel each other’s warmth, familiarity given by months of knowing each other.
“What?”.
“Nothing”, he clicks his tongue, tone suggesting the opposite of the nonchalance he’s faking, “didn’t think he was your type”.
You furrow your brows in confusion, then follow his gaze to the screen of your phone, still balanced on your chest. A laugh bubbles up from your throat and Oliver’s scowl deepens.
“Have you seen him? He’s everyone’s type”, you decide to tease him with a wink. He’s still focusing on your screen, Itoshi Rin’s instagram profile staring back at him in blatant mockery, the picture you just liked stirring unmotivated indignation.
“Plus, he’s shirtless. God bless swimwear advertisements”, you dramatically sigh, scrolling down to hit like on another picture.
“You know that’s not even him posting that shit, right? He probably has a social media manager like everyone else”.
You lightly shake your head from where it rests on his stomach.
“No, it’s actually Rin. We chat sometimes”.
“Ah, that so”, Oliver’s observation marks the end of the ridiculous conversation, or so you think. While you make a show of checking other pictures on Rin’s profile he stays silent but when you switch to Isagi’s profile and like one of his recent pictures too, a loud scoff makes you bite back a smile.
“You never like any of my posts, you know”.
“You literally only followed me back last week”.
“And I like your pictures, like, all the time”.
“I didn’t share anything new the past few months”.
“I would like your pictures if you shared them”.
With a chuckle, you put your phone away and carefully roll on your stomach to rest your chin on folded arms. Oliver is focused on his phone, brows slightly raised in barely-there-at-all interest. He’s so painfully handsome. You can’t remember if you ever told him, the bounds of your no strings attached agreement still making you think twice before sharing any sincere thought that might put you in trouble. It’s an additional way of shielding yourself, really. You have fun together, enough to hang out outside of each other’s beds or any other piece of furniture for that matter, but you’re not together. You’re not exactly friends either so you often wonder how dangerous it might become, the comfort each other’s presence offers. His lighthearted jokes, your relentless teasing.
“You’re jealous”.
Oliver locks eyes with you instantly, frowning. Your grin is always such trouble.
“What are we, high schoolers?”.
“Not sure. Are we?”.
He narrows his eyes but you recognize the twitch of his lips, the way he’s trying to hold back a smile.
“I don’t care about Itoshi Rin. Just thought your standards would be less mortifying. I mean, have you seen the guy you’ve been sleeping with?”.
You muffle a laugh into the soft fabric of his white shirt and he finally cracks a smile too.
“Which one?”, you ask, a twinkle of mischief in your eyes. Oliver hums, locking his phone and tucking it inside his pocket.
“You’re so funny today. Hilarious, even. C’mere”.
With another giggle, you crawl up to his chest and rest your chin on it, secretly savoring the feeling of his arms wrapping around you. He knows you’re not sleeping with anyone else, you know he’s not sleeping with anyone else. It’s part of the very short list of rules you agreed on, letting the other know whether there’s someone else or not. There used to be, the first two months. Now it feels like you’ve both fallen into a familiarity that is too comfortable to be shared with additional strangers.
“Hi”, you whisper against his lips and he kisses you right away, fed up with your bratty amusement, the way you melt into him a nice reminder of how regally Itoshi Rin can go screw himself.
Oliver pulls back first, merciful, lips soaked in spit that glimmer in the faint light of his living room. You fix him with a playful stare.
“I think I should like Rin’s pictures more often”.
“I think you should be quiet and not test my patience”.
You press a kiss to the underside of his jaw, then a lingering one to his neck. You mouth at the skin slowly, with intention, sucking gently until his hand cradles the back of your head and a soft sigh rolls past his lips.
“I look better in swim trunks”, Oliver whispers to make you laugh and he succeeds.
“Doubt it. You’re not even that attractive”, you whisper back, still smiling, lips pressing to his in a brief, chaste peck.
“Keep lying, you know it makes me hard”.
You huff, rolling your eyes. You wish that was an exaggeration. Oliver Aiku is weird and so exasperating.
“I’m barely attracted to you, anyway”.
He fakes a groan.
“Keep going, I’m almost there”.
You laugh again, giggling against his neck as he chuckles too, one hand rubbing your back. You stay like that for a while, in comfortable silence, your head resting on his chest as you watch whatever stupid show is playing on his tv.   
“Where are you going?”, he doesn’t loosen the arms around your frame when you try to wriggle out of his hold.
“To the bathroom. Wanna follow me, in case Rin is there?”.
“You are so fucking annoying”.
“You like me”, with a sweet laugh, you peck his lips one final time before untangling your limbs from his and getting up from the couch, mischievous smile tossed from over your shoulder as you leave the room.   
Oliver runs a hand through his dark hair, tongue poking out to wet a mouth covered in lipstick stains.
“Guess I do”, he mumbles to himself.
The sound of a million notifications suddenly flooding his phone makes him grimace. He swears if Shuto doesn’t stop pestering him about that one model he had a photoshoot with last week he will block his number, best friend or not.
Phone in hand, he stares at the screen in disbelief for a second, then huffs out a laugh.
“What an idiot”.
You just liked every single picture of his entire instagram feed.
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txttletale · 3 days ago
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do you think doctor who could work as an immigrant allegory in the same way as superman?
and
what's your favorite "political moment" in a doctor who episode? like when something happens which is clearly a commentary on contemporary politics, i.e. oxygen or the happiness patrol.
i dont know shit about superman comics so i can't really make a good comparison/contrast but i don't think doctor who really works as an immigrant allegory at all. the doctor is fundamentally transient, he doesn't live on earth*, his wanderlust is pretty core to his character and the tardis' ability to take the plot to any kind of contrived planet or time of hats is pretty core to the show's formula--the doctor isn't an immigrant, they're a tourist. they don't live on earth, they visit it. and the relationship between gallifrey and earth also puts a certain gloss on that, right, they're a tourist from a very privileged background visiting places that they like or even love but in a very condescending and often paternalistric way. i've said before that i think if there's anything you could succesfully write the doctor as, it's "space lawrence of arabia"
re: the second question, it is so hard to think about a "oh, look at me, i'm a doctor who writer commenting on politics" moment i like when there are so many i hate. i guess i like it whenever davros and the daleks being fascists is actually explored and meaningful (e.g. remembrance of the daleks, the magician's apprentice). i like donna yelling at unit for arresting a bunch of factory workers and fondly remember it as the last time the show could take a position like "the british military is bad". i like turn left for the same reason, i like how it just flatly states 'the uk would become fascist if things got bad enough', something which is now beyond the pale unless covered in sticky years & years centrist This Says A Lot About Society And Phone residue.
*yes i knoiw about the third doctor era and stranded and the edas and twelve's university tenure and fourteen. i'm making a generalization. and even with those there is always both and in and out of universe understanding that these situations are temporary
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the-heliophile · 2 days ago
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COFFEE - SEVIKA
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FROM FOURMI 🐜💌 Currently suffering from an unhealthy Vi, Sevika and Ambessa obsession, yes I have a type what can I say I love hot women that can just throw me around
song. coffee, chappell roan
pairing. ex!Sevika x ex!reader
content. angst/sadness, no happy ending, kind of toxic Sevika?, no use of she/her but fem implied reader
summary. your ex Sevika asks you to meet up for drinks and you try not to end up in her bed again
You were lounging in bed, still blinking away the fog in your eyes when you got a text. You picked up the phone and squinted to read the time, 8:36AM, you sighed before looking at the actual text.
Unknown number : up for drinks later today?
You sighed, knowing exactly who it was from and how it would end. You and Sevika had broken up over three months ago but you still received an occasional text from her. You fought the urge to answer right away, taking a deep breath and trying to calm your heartbeat first. After a few minutes you gathered the strength to type out an answer.
You : sure, coffee after work ?
Unknown number : only coffee ?
You : I kind of have plans for tonight sorry
"I'd suggest the jazz bar on MaryAnn Street but,
You'd buy me a drink and we know where that leads, so"
You had made that mistake too many times, meeting Sevika for drinks at the end of a rough day, expecting it to end with you parting ways amicably just to be proven wrong each and every time. There was something to her, an allure that you quite couldn't resist, as if her soul was calling out to yours but her heart was constantly pushing you away. It was the reason you had broken up in the first place, her pushing you away, keeping out of the loop so you would never get involved in Silco's business. She meant well and you knew it, but there was only so much you could take. Too many nights where you'd stare at the clock wondering if she would make it home this time, too many times only getting to see her in the early hours of the morning just for her to be too drunk to even speak. You wanted, needed security, someone who could spare some time for you, confide in you and make you feel like a partner instead of a child they must keep out of everything.
"I'll meet you for coffee 'cause if we have wine
You'll say that you want me, I know that's a lie"
You remember the last time you agreed to go out for drinks with Sevika. You both stayed at the Last Drop for several hours, reminiscing the good moments of your relationship, catching up on each other's lives. It only took a couple drinks for the look in her eyes to go from its usual detachment to that dark arousal you'd see whenever she would get home after a hard day. And it was only a couple more drinks that led to Sevika kissing your neck in the back of the bar, she still remembered every erogenous zone, every sensitive spot there and she was kissing them almost earnestly. You crumbled in a few minutes and you ended up in her bed, once again, and once again you promised yourself it would be the last time. She never had any regards for you in the morning, barely addressing you while you were picking your clothes up and getting dressed, it made you feel dirty and yet you could never resist, you always fell for the sweet nothings she had whispered in your ear in her drunk haze.
"If I didn't love you, it would be fine"
Sevika knew she was hurting you every time it happened, but you also hurt her when you broke up with her. She was trying to do the good thing in your relationship, saw you as a light she did not want to dim with stories of the things she did. The truth was that Sevika loved you, in her own way, but she saw you as something fragile, breakable that she should protect. She was incredibly angry and hurt that you had broken up with her after two years, despite all the times she had explained her reasoning, she felt as though it was selfish of you and so she refused to let you just move on. Whenever she found herself missing you she would send a text, asking to go out, knowing full well you would never say no. She would never ask you to take her back, instead she would rather wait until you asked for her to come back to you, but every single time you joined her for the evening Sevika could tell how stiff you were, fidgeting with the hem of your shirt and refusing to look in her agate eyes. Every night ultimately ended up with you in her bed and her almost urging you out in sheer frustration that you wouldn't make the first move. So even if she knew her actions were hurting you, she also knew you still had feelings for her and she texted you once again, capitalizing on your feelings for her to secure a spot by your side, albeit temporarily.
"I'll meet you for coffee, only for coffee,
Nowhere else is safe, every place leads back to your place"
You had just gotten home from work and you immediately started getting ready, there was a little skip in your step for the whole way home, the idea that you would get to meet up with Sevika for something other than getting drunk was making you feel almost giddy. While doing your make-up your mind started drifting to all the soft moments exchanged between Sevika and you and eventually memories of your drunk nights together. Eventually the giddiness faded into bitterness, the corners of your mouth lowering from the grin you were sporting earlier and your shoulders slumping slightly. You knew, deep down you knew. It wouldn't be just coffee, she'd suggest the Last Drop and you'd agree with a "something came up" text to your friends. And once more you'd wake up in her bed feeling used. You look at yourself in the mirror, feeling Sevika's hand around your heart tightening, you were almost fully done up but your mood had significantly worsened compared to when you stepped into your bedroom.
"So let's not do coffee, let's not even try,
It's better we leave it and give it some time"
You let out a defeated sigh before grabbing your phone, typing a quick text to the number you still haven't saved again since you deleted it the first time because "that way you won't be tempted to text her".
You : Sorry, something came up, raincheck?
Unknown number : Sure, what about Saturday?
You : I'll be busy sorry, but I'll text you when I can !
You lied, you won't text her, not again, it had to end. It was time for you to move on and get on with your life. You shed a few tears, your mascara now running down your cheeks and take a deep breath to steady yourself. Promising yourself it was the very last time you had given her the time of day.
''Cause If we do coffee, it's never just coffee,
It's never just coffee"
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Text
Tell Me a Lie
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Matt Murdock x Reader
Words: 4617
Summary: Months of hell lead you to one moment- finding out your boyfriend is really alive. After figuring out where he’s been hiding, you concoct a plan- a very stupid, very dangerous plan- to draw him out. 
Notes: This is a terrible summary, but whatever. I finally started season three and I thought putting the reader in this situation would be really interesting. Obviously, his relationship with Elektra wasn’t the same, but the whole self-destructive Matthew is here and ready for angst. I’m imagining this kinda between the episodes where Matt goes to the hotel and the prison, but doesn’t really follow the plot of the episodes, just my own. This is also just a mess, but oh well. (And I know this is kind of what Bella does in New Moon, but I kind of dig it so I won’t apologize haha)
Warnings: Attempted assault, violence, abandonment, alcoholism literally looking for danger (obviously, spoilers for season three)
More Matt Imagines: HERE
-
It didn’t smell like him anymore. Such a weird, stupid complaint, but it made you sick to your stomach to breathe in the musty air of the apartment. 
You sat up, nursing your head in your hand, still pounding from the night before. Not that you’d slept, but hangovers still found a way to bite you in the ass. It was getting pathetic. Not that you cared. And not that your friends had actually used that word. 
‘Concerning’ was Foggy’s favorite. 
He could have his concern. 
You chased the numb. 
Anything was better than remembering he wasn’t here and the apartment you’d just started to share didn’t smell like him anymore. 
You got out of bed on shaking limbs, feeling the nausea roll over you. You swayed, wondering if you’d throw up again. You didn’t. 
You went to the kitchen and made a pot of coffee to pull you out of the haze. Karen and Foggy were coming by today to talk about rent. You had to seem at least somewhat put together or they would try and talk you into getting help. Getting help meant moving on. Moving on meant giving up. Giving up meant lying to yourself. Admitting that he was dead and he wasn’t coming back. 
But Matt Murdock wasn’t dead. 
You could feel it. 
The pounding at the door felt like knocking on your skull. You groaned. 
Foggy stepped inside. 
“Morning,” he greeted with his usual chipper smile. 
You didn’t understand it. How he could still seem so happy after everything that happened. Then again, things went rather well for him after…
You shook the thoughts from your head. This wasn’t Foggy’s fault. 
“Hey,” you croaked. You took a long, burning drink from your caffeinated cup and let its effects wash over you. “I thought you two were coming together?” 
“Karen had… other stuff.” Foggy peaked around the corner, plastering a smile across his face. He figured he’d ease into the news. Especially because you looked- well- you looked the way you usually did these past few weeks. “But she says hi.” 
You nodded and took another drink. “Coffee?” 
“I already had some, thanks.” 
He stood silently. 
You stood silently. You raised a brow. “You can sit down, Foggy.” 
“Right. Thanks.” He nodded awkwardly and took a seat on the couch. So much for playing it cool. 
You set your mug to the side and leaned on the counter, fingers gripping the edge like a lifeline. 
“What happened, Foggy?” You stared at the back of his head and felt that familiar squeezing, wrenching breathlessness in your chest. The same feeling when Claire dragged you out of Midland Circle. The same feeling when you watched the building fall. The same feeling when Matt didn’t walk out. “Is it… is it Matt? Did they find him?” 
“No, it’s not about-” He blew out a sigh. “God, you haven’t seen the news then?” 
You hurried around to stand in front of him, panic still evident in your exhausted eyes.
Foggy had to look away. 
“Why, what’s on the news?” 
He gulped. “Maybe you should sit down.” 
“Just tell me what happened,” you scoffed. The sound came out as a nervous laugh, but on the inside, you were screaming. 
His blue eyes met yours. 
“Wilson Fisk made a deal with the feds. He’s out of prison.” 
You blinked. The crushing in your chest was replaced by your heart stopping. 
“What?” You choked out. Of all the things you were expected to hear, Fisk’s name wasn’t one of them. 
“Well, not out exactly. He’s apparently giving them information that’s made him a target in his old prison so they’re keeping him in a cushy penthouse for ‘safety purposes.’” He spat each word out. 
You put a hand on the back of the chair for support. “Fisk is free?” 
“Like I said, he isn’t free, but-”
You held up a hand to stop him.“Where’s this hotel?” 
-
The courtyard was absolute mayhem. Reporters scurried in every direction, each harassing a different agent for information they wouldn’t get. Matt dodged in between them. The noise made his still recovering head pound, but he could still pick out enough to get through. He ducked his head when he heard Karen’s voice, a small moment of panic almost making him turn around. 
He kept moving. 
The crowds didn’t surprise you. And neither did seeing the familiar blonde head weaving through the groups with determined strides. You hurried after her, almost bumping into the man in front of you, but he stepped out of the way just in time. 
“Karen!” You called. 
Gold strands whipped around. Her clear blue stare cut through the crowd. 
“Y/N?” She said, pushing through to you. “What the hell are you doing here?” 
“So it’s true.” You tilted your head to the top of the building, its windows reflecting the sun in blinding brightness. “Wilson Fisk is up there?” 
She sighed. “Foggy told you then?” 
“If you’re planning on an ‘it isn’t safe for you to be here’ speech, save it,” you snapped. “I could tell you the same thing.” 
She bit her cheek, looked you over, and determined you looked sober enough. “Alright, follow me.” 
Matt couldn’t move. He tried to force his feet forward, but the heavy beating of his heart filled his ears and made it impossible to navigate the space around him. 
Your voice. Your scent. Even your heartbeat stood out amongst the dozens of people there. And for a moment, just a moment, he wanted to turn around. 
“Promise me we’ll go on that trip we talked about, yeah?” You laughed, though the air was salty with your tears and your voice shook. He kissed your lips for the last time.
“I promise.” 
But that wasn’t what haunted Matt for the last few months. Your sweet words of promise and hope stung, but they weren’t what kept him from going to you. Your screams were. 
“Let me go! Matt! No! Matty! I won’t leave him! Matt!” Even with countless floors between, Matt could hear your gut-wrenching screams as the others dragged you out of the building just before it blew. “Matt! Please! Matt!”
“Matt?” 
It took him a moment to realize that your voice now wasn’t from his memory. It was now.
You’d seen him. But judging by the direction, there was a chance you hadn’t seen his face. He could ignore you and chances were, you’d think you were crazy. Just another offense he’d committed against you. 
He wanted to turn around, to hold you and kiss your lips again and tell you he was okay and everything was going to be okay. That he was still your Matt. 
But the man you fell in love with was gone. He was buried under Midland Circle. 
Matt kept walking. 
-
You’d seen him. As crazy as it was, you knew it was him. He’d heard you. He must have because he stopped- just for a second, but he stopped. Karen may not have believed you, though you could tell she wanted to, but it didn’t matter. 
It was Matt. 
Somehow, it didn’t make any sense but it all made sense at the same time. He was going after Fisk. Of course, he was. Not even the grave couldn't stop your Matt from protecting his city. From protecting you. 
What you didn’t understand is why he kept walking. He acted like you weren’t there, but he of all people couldn’t have simply not noticed you. He’d left you there on purpose. 
He’d left you.
You paced the apartment with your hands raking through your hair with one question on your mind. 
Why? 
Sure, Matt would always use the excuse of protecting you before, but this time felt different. Had you done something? Had you not done enough at Midland Circle? What happened to him? 
Was it your fault?
The explosion was your idea and it buried him. Did he blame you as much as you blamed yourself?
Your feet halted in front of the closet door. Behind the door was a box. Inside the box was the emptiness that haunted your every waking moment for the past you didn’t even know how many days anymore. Your fingers clutched at the neck of the bottle on the table. The drink burned. 
None of it mattered. ‘Why’ didn’t matter. What mattered was that he was out there and he left you and as the burn raced down your throat you knew what you needed to do. 
And you knew where he might be.
-
The gentleness of your touch eased the sting of the disinfectant as you dabbed it on his wounds. It wasn’t the first night he’d come back cut and beaten, but you didn’t let your worry deter your movements. He came back. That’s what mattered. 
“Do you want to talk about it?” You asked, your voice as soft as your motions. You touched a particularly sore spot and he winced. As you went to draw your hand away, he caught it in his, fingers grasping at yours, still clenched around the towel. 
“Can we just… sit for a while?” He breathed. 
You nodded. He wiped away any blood remaining on his skin and set the towel aside. His arms wrapped around you as he pulled you to his chest. He listened to your heartbeat. You listened to his. 
Matt remembered the woman he’d come across earlier that night. Two men had jumped her. They were going to take what they wanted and leave her for dead. He’d taken his time beating them senseless while she got away. But her screams still echoed through his head. 
He tensed beneath you and you looked up at him through your lashes. 
“What is it?” 
“Nothing.”
You sat up. “Matt.” 
“It’s nothing,” he managed a laugh. “Really. Just come here.” He coaxed you back to him, but the tension was still there. He breathed in your presence and let out a low sigh. His arms tightened around you. “I’d never let anything happen to you.” His tone was different. Almost afraid. 
You drew lines on his chest. “I know.” 
“And I’d never hurt you, or at least mean to, anyway, but I know that I have and I’m-”
“Matty.” You crawled up so you were beside him, taking his face in your hands. “All I ask is that you come home at the end of the night.” You kissed his cheek. “In one piece, preferably.” He chuckled and you pressed your lips to his. You whispered in between kisses. “Just come home.” 
-
He talked about this place sometimes. Not often. Getting Matt to open up about his childhood was like pulling teeth, but in those last few months together, he’d started to trust you enough to let you in. 
This felt like a betrayal of that. Using your knowledge to expose him. To confront him for leaving you behind. A sober you might have thought of that. But the whiskey-fueled your anger, the rum your despair, and everything else blocked out any logical thought. 
What was the word Foggy used? 
Right. 
Concerning.
“Alright, Matthew,” you called out. Your voice was barely more than a hoarse whisper as you tried to hold back sobs. The wind stung the streaks of tears on your cheeks, but the more you tried to wipe them away, the more they fell. You took a drink. “This is it. Now or never.” 
You waited. You gave him a chance to stop you. 
“You always said you would never let anything happen to me, right? That you’d never hurt me.” You held your arms out at your sides. “Well, here we are, you goddamn liar!” Your voice echoed through the street. He would have been able to hear you for blocks, but standing just outside his damn door had to be good enough. “Come out, Matt!”
“Dude, check out this crazy bitch,” a voice said from behind you. 
Your stomach flipped. You swallowed the nervous bile in your throat. This was part of the plan. Sure, you thought you’d have to do a little more seeking, but this worked even better. There was only one way your tangled-up mind could figure that would get Daredevil to come out to play. You just hoped he would bring your Matt with him. 
You turned around. Two men stood in front of you, both of them with eyes scanning your body and lips forming smirks. Oh yeah. They were perfect. 
“What did you just say to me?” You tried to make your voice sound more confident than you actually felt. You wanted their anger, not their pity. 
“Hey, no need to be like that, I was just kidding,” the taller one said, holding his hands up in mock innocence. “I was just about to tell my buddy that you look a little lost.”
“Yeah, maybe she could use our help,” his friend agreed. “Do you want our help?” From the sound of his tone ‘help’ was the last thing he was offering. 
They both stepped towards you. 
And then a thought broke through your intoxicated, reckless mind. 
What if Matt really was dead?
It made you freeze. It almost made you sober. 
What if you just saw some guy that looked like him? What if you’d imagined it all together? What if all this time you’d been hoping- hell, even praying- that he would come back and he was still down there, at the bottom of Midland Circle, crushed and bloody and… gone? 
The men took another step forward, looking equally confused as they were intrigued. 
What if there was no one around to save you?
You held your head high. 
You hoped they’d kill you.
Either way, at least you would know. 
“You alright there, sweetheart?” The tall one asked. Sweetheart. The word stung. It belonged to someone else. 
You didn’t say anything and just started swinging. Fist to teeth, then foot against knee, you actually managed to do some damage before the friend grabbed your arms from behind. You stomped on his foot as hard as you could. Just because this was part of your plan didn’t mean you were going to make it easy for them. It had to at least look like you tried. For Foggy and Karen. 
The thought of the two of them threw you off. It made you blink, which allowed the lead prick to get a hold of your hair and use it to throw you to the ground. 
“You wanna play it that way, fine,” he growled. 
“Hair pulling?” You sneered up at him. “What, did your little sister teach you that move?” 
“Mouthy little bitch.” He brought his heel down on your head. Hard. It probably should have knocked you out, but you could still see through blurred vision with darkness around the edges. They started to walk away. 
“W-wait,” you said. The feet at the edge of your vision stopped. “Wait, come here.” You beckoned him to you with your hand. He crouched down. “Is that all you’ve got, pussy?” 
The hit came faster than you prepared for, knocking the breath out of your lungs. He kicked. And kicked. And kicked. Blood filled your mouth. You thought you heard a knife click open, but then everything went silent. 
And there was only one pair of feet.
A grunt. A thud. A body hitting the pavement. 
“What the…” Your main assailant gasped.  
You blinked, trying to see what was going on.
“Hey, man, she started it, I swear.” Another grunt. Another thud. Another body hit the pavement. 
A masked face appeared over yours.  
You smiled through the pain. “I knew it.” 
He took off the black band, revealing his panicked face. It was the last thing you saw before the darkness in your head took over. 
-
Matt carried you downstairs, every sense tuned into the creaking of your broken ribs, the smell of the blood leaking from your lips, your head, your nose. He focused on the sound of your heart. It was still beating. 
It was still beating.
“Sister!” He called. 
Sister Maggie, in all her wise-cracking wisdom, had known to be there. Matt didn’t know how, but not for the first time he was grateful for her presence. She helped without him having to ask. 
“Is she breathing?” She asked. 
“Barely. Her ribs are broken. I-I can’t tell how hard she hit her head.” He laid you on the bed, still listening to the semi-steady thump thump, thump thump. 
“Who is she?” 
He didn’t answer. Instead, his hands roamed your features, the gentle curve of your cheek now split with a bleeding gash. He ran a finger over your lips. As if to confirm it was really you. He had to feel, had to know. Know that this was his fault. Your words echoed in his head. 
You’d never hurt me.
You goddamn liar. 
You were here for him. The reckoning for his sins these past weeks. 
“Matthew, who is she?” Margaret pressed again. 
“It doesn’t matter,” he snapped. “Just help her.” Matt’s voice dropped to a whisper. “Please.”
Sister Maggie frowned, fingers clenched around the cloth she’d used to clean some of the blood. “You need to take her to a hospital.”
“Don’t.” Your voice rasped between them. “Don’t you dare.” You started to sit up, using shaking arms to push yourself upright even as your insides felt like they wanted to rip out of you just from breathing. 
“Stay down,” Matt said. He sat on the edge of the bed, easing you back to a lying position. “Try not to move.”
“I knew it.” 
“Y/N-”
“I fucking knew it.” You pushed back. He was stronger. Matt kept you down as gently as he could. 
“Sister, will you give us a minute?”
You turned to the woman you hadn’t noticed. She seemed glad to leave. 
Matt didn’t face you. He stood up from the bed and paced along the concrete floor, keeping a distance away that made you want to scream. You wanted to touch him. To make sure he was really there. But he hovered away from you like a ghost. 
“Those guys really did a number, huh?” You managed to sit up and this time, he didn’t stop you. Your head, however, wanted to bash itself in. Between the trauma and the liquor, you weren’t sure which made you more nauseous. “But the Devil of Hell’s Kitchen is always around to save the day.”
“You did it on purpose,” Matt said, shoulders stiff. “You provoked them. They could have killed you and you-” He sucked in a breath. “Why?”
“I’m an adrenaline junkie. I drink, I look for trouble. It’s becoming quite the hobby.” You were lying. You knew he could tell. 
He stood still, head tilting slightly. “You knew I’d come.” 
“Ding ding ding.” You fell back on the bed and let the ceiling spin. 
Matt couldn’t speak. The panic he’d felt was slowly being engulfed by anger, though it was hard to tell at who. You were looking for a fight, that much he gathered was true. You were drunk, though the fight sobered you up some. Everything he’d ever told you, everything he’d done to try and keep you safe, would have been thrown away tonight. You would have let those men kill you if it meant he wasn’t there. 
And it was all his fault. 
He did the one thing he promised he wouldn't. He left. You’d never judged him, never questioned his need to put on the suit. All you ever asked was that he come back to you and this time, he didn’t. By choice, he didn’t. Just like everyone in both of your pasts, he abandoned you. This was your choice to get back at him, whether or not you believed he was alive. 
“I saw you,” you said quietly. “Today, at the hotel. I knew it was you.” The sure, stubbornness in your voice was gone, replaced by a cracking, wrenching sadness. “I had to know.” 
Matt didn’t say anything. He just reached for the lamp and switched off the light. 
“Get some rest.” 
When you woke up, you were in the hospital, bandages on your cuts, and more hungover than you’d felt in a long time. 
Matt was gone. 
-
They didn’t discharge you, but you left anyway. If they looked too closely at your emergency contacts, they’d find someone who was supposed to be dead and Karen. The latter was not someone you wanted to face right now. 
So, with a couple of busted ribs and one hell of a concussion, you went back to the apartment. His apartment. The place where he first kissed you, first touched you, first-
Now it was just yours. He didn’t want it anymore. 
You half debated going back to the church and demanding he talk to you. You’d like to see the brilliant lawyer try to talk his way out of this one. But in the end, everything hurt too much to face him. You wanted a drink. 
Unlocking the door, the click hit your chest harder than any of that creep’s kicks. 
You knew. 
You may not have had his abilities, but you knew. 
Walking in, you didn’t dare turn around and look at the stairs. You didn’t have to. 
“I’m all better now if that’s what you wanted to see,” you said. You threw your jacket on the floor and kicked off your boots. 
Matt didn’t move from his place by the roof entrance. He stood over you like a judgemental god and you wanted to hit him for it. You might have if he didn’t already look like hell itself spat him back out. 
“You wanted them to kill you,” he whispered just loud enough for you to hear. Not an accusation. An acknowledgment. 
“I wasn’t going to stop them if they tried.” You shrugged. You moved to the kitchen. “Beer?” 
“You shouldn’t drink with the amount of pain medication they gave you.” He said it so matter-of-factly. Like he was just your boyfriend and looking out for you. But he wasn’t and you didn’t know what he was to you anymore. 
“Yeah, well, it’s going to wear off at some point so I might as well get ahead of the curve here.” 
“Y/N-” He stepped. The steps creaked. 
“Don’t.” You held up a hand. “Don’t come anywhere near me, Matt Murdock.” 
He flinched at the sound of his name like it was a blade you held against his throat. 
“Stay where you are,” you said and twisted off the bottle top, grasping so hard the rigid edge dug into your palm. “Shit.” It sliced your skin and your blood dripped onto the wooden floor. 
You didn’t watch him descend the stairs or cross the space between you. You closed your eyes so you wouldn’t see his hand grab yours, wrapping the small but deep cut with gauze he carried with him. You yanked away the moment his hold lightened. 
“Don’t touch me.” 
“Y/N-” He said again, your name hurting more than his own. 
“You’re dead!” Your scream filled the apartment. You knew it filled his head. Everything always did. Good. Let it. 
Matt didn’t step away, but he did let his hand fall back to his side. 
“I know.” 
You tried your best not to shake, not to cry and show the weakness you’d felt for the last weeks. Then again, you wanted him to know. You wanted him to feel everything you’d felt. 
“Tell me you were trapped somewhere. Tell me you tried everything you could to get back to us and you just broke free,” you pleaded. “Tell me a lie, Matt, because I’d rather hear that than whatever bullshit reason you can give me.”
He opened his mouth, but you didn’t let him speak, reading his face before he could say it. 
“I swear, if you say something about ‘protecting me’, then you should have just left me to those creeps because that would have been better than listening to that broken record again.” You turned your back and for that second, you let yourself crumple, but only for a second and completely silent. 
“It wasn’t about you.” 
You straightened up again. “It never was.” 
Now, with you facing away, it was his turn to break. Matt sucked in a sharp breath to keep himself together as you continued. 
“It was always about you, Matt. About your insisted martyrdom.” You didn’t try to stop your tears now, tasting their salt as they flowed past your lips. “Your city. The rest of us just live here, right?” You turned around, stepping towards him. “But at least we live.” With your hands on his chest, you pushed him back. “Which is a hell of a lot harder than hiding.” 
You pushed again and again and again and he just stood there and took it. Your flattened hands turned to fists, hitting harder and harder until you were sure you’d leave bruises on his chest. 
It was when you collapsed that he finally moved, throwing his arms around you before you could hit the floor, your legs giving out under the weight of your utter, complete agony. Your sobs choked you and rattled through Matt like gunfire. You kept fighting him, even as he held you, the pain of your injuries was nothing compared to what you felt in your soul. Like the shattered pieces were being forced back together, but didn’t fit anymore. 
Matt wanted to make it stop. He wanted more than anything to take all of the pain away and tell you it was going to be okay. He was here now. But he was the cause of it all and there was nothing he could do to change it. 
And while there was still a dark part of him that wanted to leave you here, to shield you from him entirely, Matt knew if he tried to walk away now, he wouldn't survive it. Daredevil or Matt Murdock, it didn’t matter. He was yours. 
“I’m sorry,” he whispered into your hair. 
“You were dead,” you said again, this time with broken words blending together with your sobs. “I tried to go back. I tried to get into Midland Circle, but they dragged me out. I tried, Matt, I-”
He cut you off with a kiss on the forehead and held you closer. 
“I know.” He could still hear your screams, your pleas to give up your life to try and save him. He’d thrown it away, everything you’d tried to make of him. Of the two of you, together. 
You’ll get her killed too. Fisk’s voice in his head pierced his skull like a blade. I will crush her. I’ll tear her apart piece by piece, Matthew, and there is nothing you can do to stop me. 
“She’ll put up a hell of a fight first,” Matt muttered. 
“What?” You pulled back to look up at him. 
He shook his head and held you closer still until the lines between you blurred together. 
“Nothing.” 
Even though every part of him now screamed to get away, he couldn’t move. Even as you knelt in front of him, pulling his lips down to yours, he didn’t fight it. A shock worse than any punch went through his system the moment you kissed him. Like every nerve was finally waking up. 
Maybe he wasn’t dead after all. 
Matt cupped your cheek with one hand and slipped the other to the small of your back, urging you to stand and walk with him to the bed neither of you had slept in in weeks. 
He’d decide in the morning.
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corviiids · 2 days ago
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hello! how do you find consistent friends in fandom? as in, how do you find people who stick with you through different fandoms and listen and read your work. also, how long have you been writing for and how long did it take you to get so good at writing and character analysis.... your work is such an inspiration to me, genuinely one of my top 3 authors across ao3. i hope the writing goes well!
hey! this is really sweet, thank you very much for your lovely kind words. 💖
re: friendship: i don't mean to be a downer about this so i hope it doesn't come across this way, but i do think the concept of friends where you follow each other through all your fandoms and continue to read each other's work etc kind of... either doesn't exist or is just a rare phenomenon and not a 'type' of friend per se more than it is something that just happens out of luck. i am lucky enough to have friendships which have persisted through all of us changing fandoms, but the reason those friendships last is actually because we found connections that went beyond common interests. i think sharing a fandom/interest is great as an initial point of connection and a way to meet, but for a relationship to last, you need to have a deeper bond than both being into the same thing--so contrary to what you've asked about (oops sorry) those friendships im speaking of only last because we didn't follow each other into different fandoms, really. we didn't have to. along the same vein, i'd respectfully argue that it wouldn't be productive or fair of me to group 'reading my work' in as an element of friendship, so to speak--i definitely don't expect my friends to read my fic and vice versa, we all understand that we can support each other in our creative pursuits and lives in general / in the abstract without needing to be a fan of the same things or even necessarily being fans of each other's work (although of course it's always nice). i know this doesn't really answer your specific question but i hope it doesn't come across as pessimistic as it might sound. i truly and genuinely believe it's a positive thing that the idealised friendgroup traipsing through fandoms together doesn't really exist (or if it does exist, it's luck and not something to shoot for in itself), because this just tells me to look out for these great opportunities to form bonds that last beyond superficial interests.
in terms of how to make those friendships to begin with, im honestly even less help. my friendships kind of just happened to me. im actually quite terrible at reaching out to people and i am notoriously difficult to reach myself hahaha so honestly all the credit for my friendships goes to my friends for being patient and sticking with me despite that. i am honestly just very lucky in that i've been able to talk out loud into the void and have had wonderful people reach out to me because of it, but that's hardly a reliable strategy... i guess i'd encourage you to be more like my friends, who are the anime protagonists wielding the power of friendship to my prickly antagonist, or whatever. oh another thing to remember i guess is that some friendships just don't last this way and will stay within fandoms and may peter out, and that's ok. i don't consider those relationships less real or valuable for being less lasting.
re: writing: i want to caveat that i don't think i'm fairly able to say (or comfortable saying) that i'm particularly good at writing or character analysis, certainly not to an extent that i'd be willing to hold myself up as an example of it, but i really appreciate that you feel that way about my work and am incredibly honoured to be considered an inspiration in any capacity!!
with that disclaimer made, i'll do my best to answer for whatever it's worth. i've liked writing ever since i was a very little kid, but i will credit any actual progress i've made in developing the skill to writing fanfic because i think that being able to focus on building character and logical flow in plot progression over other things like creating characters, worldbuilding, inventing plots wholesale, etc--which has allowed me to sort of expedite those skills in particular and which i think are helpful in writing more broadly. (this also answers the 'character analysis' part specifically--when you don't have to/get to invent a character, you have to spend more time taking them apart.) anyway, i started writing fic about twelve or thirteen years ago, and there have been periods within that where i've progressed faster or slower depending what's going on in my life haha. i do think time played a massive role in any skill developments i've made, but i also know people take less time or more time to make similar progress (caveat again: progression is subjective, this is very approximate), so i think the other key ingredient besides time is engagement. if it's helpful, i went into that a little bit more here, but as stated i have a lot more to learn and would never present myself as an expert lol
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marklikely · 2 days ago
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no literally this is how its been the last couple weeks
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